2013년 11월 25일 월요일

오전 4:25

By Chrissy Fye

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About 'kirkman invincible'|Robert Kirkman’s Invincible







About 'kirkman invincible'|Robert Kirkman’s Invincible








Ｏｎｅ               ｏｆ               ｔｈｅ               ｐｒｏｇｒａｍｓ               ｗｏｒｔｈ               ｃｈｅｃｋｉｎｇ               ｏｕｔ               ａｔ               Ｃｏｍｉｃ               Ｃｏｎ               2010               ｉｓ               ｔｈｅ               Ｗｉｌｌ               Ｅｉｓｎｅｒ               Ｃｏｍｉｃ               Ｉｎｄｕｓｔｒｙ               Ａｗａｒｄｓ               ｏｎ               Ｆｒｉｄａｙ,               Ｊｕｌｙ               23ｒｄ               ｆｒｏｍ               8:30               ｐ.ｍ.

ｔｏ               11:30               ｐ.ｍ.

ａｔ               ｔｈｅ               Ｓａｎ               Ｄｉｅｇｏ               Ｂａｙｆｒｏｎｔ               Ｈｉｌｔｏｎ               ｉｎ               ｔｈｅ               Ｉｎｄｉｇｏ               Ｂａｌｌｒｏｏｍ.

Ｔｈｅ               ｄｏｏｒｓ               ｆｏｒ               ａｔｔｅｎｄｅｅｓ               ｗｉｌｌ               ｏｐｅｎ               ａｔ               8:15               ｐ.ｍ.

Ｉｔ               ｗｉｌｌ               ｂｅ               ｇｅｎｅｒａｌ               ｓｅａｔｉｎｇ,               ｓｏ               ｉｔ'ｓ               ａ               ｖｅｒｙ               ｇｏｏｄ               ｉｄｅａ               ｔｏ               ｇｅｔ               ｔｈｅｒｅ               ｅａｒｌｙ               ｉｆ               ｙｏｕ               ｗａｎｔ               ａｎ               ｅｘｃｅｌｌｅｎｔ               ｓｅａｔ.

Ｃｏｍｉｃ-Ｃｏｎ               ａｔｔｅｎｄｅｅｓ               ｎｅｅｄ               ｏｎｌｙ               ｔｈｅｉｒ               ｂａｄｇｅｓ               ｔｏ               ｇｅｔ               ｉｎｔｏ               ｔｈｅ               ｅｖｅｎｔ.

Ｔｈｉｓ               ｉｓ               ｔｈｅ               ｃｏｍｉｃｓ               ｉｎｄｕｓｔｒｙ               ｅｑｕｉｖａｌｅｎｔ               ｔｏ               ｔｈｅ               Ｏｓｃａｒｓ.

Ｉｔ               ｗｉｌｌ               ｂｅ               ａ               ｇａｌａ               ｃｅｒｅｍｏｎｙ               ｗｉｔｈ               ｔｈｅ               ｂｉｇｇｅｓｔ               ｎａｍｅｓ               ｉｎ               ｃｏｍｉｃ               ｂｏｏｋ,               ｇｒａｐｈｉｃ               ｎｏｖｅｌ               ａｎｄ               ｐｏｐｕｌａｒ               ａｒｔｓ               ｉｎ               ｖａｒｉｏｕｓ               ｆｏｒｍａｔｓ               ｓｕｃｈ               ａｓ               ｄｅｌｕｘｅ               ｈａｒｄｃｏｖｅｒｓ,               ｏｎｌｉｎｅ               ｓｔｏｒｉｅｓ               ａｎｄ               ｔｈｅ               ｔｒａｄｉｔｉｏｎａｌ               ｃｏｍｉｃ               ｂｏｏｋ.

Ａｌｌ               ａｔｔｅｎｄｅｅｓ               ｗｉｌｌ               ｒｅｃｅｉｖｅ               ａ               ｆｒｅｅ               Ｗｉｌｌ               Ｅｉｓｎｅｒ               ｇｒａｐｈｉｃ               ｎｏｖｅｌ.

Ｔｈｅ               Ｅｉｓｎｅｒ               Ａｗａｒｄｓ               ｈｏｎｏｒ               ｔｈｅ               ｃｒｅａｔｏｒｓ               ａｎｄ               ｐｕｂｌｉｓｈｅｒｓ               ｏｆ               ｔｈｅ               ｃｏｍｉｃｓ               ａｎｄ               ｏｔｈｅｒ               ｐｏｐｕｌａｒ               ａｒｔｓ               ｓｕｃｈ               ａｓ               ｔｈｅ               ｇｒａｐｈｉｃ               ｎｏｖｅｌ.

Ｗｉｌｌ               Ｅｉｓｎｅｒ               ｉｓ               ａｎ               ａｃｃｌａｉｍｅｄ               ｃｏｍｉｃｓ               ｃｒｅａｔｏｒ               ａｎｄ               ｔｈｅ               "ｆａｔｈｅｒ"               ｏｆ               ｔｈｅ               ｇｒａｐｈｉｃ               ｎｏｖｅｌ.

Ｈｉｓ               ｂｏｏｋ               Ａ               Ｃｏｎｔｒａｃｔ               ｗｉｔｈ               Ｇｏｄ               ｐｕｂｌｉｓｈｅｄ               ｉｎ               1978               ｉｓ               ｗｈａｔ               ｈｅｌｐｅｄ               ｐｏｐｕｌａｒｉｚｅ               ｔｈｅ               ｇｒａｐｈｉｃ               ｎｏｖｅｌ               ｇｅｎｒｅ.

Ｔｈｅｒｅ               ｗｉｌｌ               ｂｅ               ａｗａｒｄｓ               ｇｉｖｅｎ               ｉｎ               29               ｏｆ               ｔｈｅ               Ｅｓｉｎｅｒ               ｃａｔｅｇｏｒｉｅｓ               ｒａｎｇｉｎｇ               ｆｒｏｍ               Ｂｅｓｔ               Ｐｕｂｌｉｃａｔｉｏｎ               ｆｏｒ               Ｋｉｄｓ               ｔｏ               Ｂｅｓｔ               Ｃｏｍｉｃｓ-Ｒｅｌａｔｅｄ               Ｂｏｏｋ               ｔｏ               Ｂｅｓｔ               Ｃｏｖｅｒ               Ａｒｔｉｓｔ.

Ｂｅｓｉｄｅｓ               ｔｈｅ               ｓｔａｎｄａｒｄ               ｃａｔｅｇｏｒｉｅｓ               ｔｈｅｒｅ               ｗｉｌｌ               ｂｅ               ａｄｄｉｔｉｏｎａｌ               ｓｐｅｃｉａｌ               ａｗａｒｄｓ               ｓｕｃｈ               ａｓ               ｔｈｅ               Ｂｉｌｌ               Ｆｉｎｇｅｒ               Ａｗａｒｄ               ｆｏｒ               Ａｃｈｉｅｖｅｍｅｎｔ               ｉｎ               Ｃｏｍｉｃ               Ｂｏｏｋ               Ｗｒｉｔｉｎｇ               ａｎｄ               ｔｈｅ               Ｗｉｌｌ               Ｅｉｓｎｅｒ               Ｓｐｉｒｉｔ               ｏｆ               Ｃｏｍｉｃｓ               Ｒｅｔａｉｌｅｒ               Ａｗａｒｄ               ａｓ               ｗｅｌｌ               ａｓ               ｓｏｍｅ               ｏｔｈｅｒｓ.
               Ｔｈｅｒｅ               ｗｉｌｌ               ｃｅｒｔａｉｎｌｙ               ｂｅ               ａｎ               ａｂｕｎｄａｎｃｅ               ｏｆ               ｃｅｌｅｂｒｉｔｉｅｓ               ｐａｒｔｉｃｉｐａｔｉｎｇ               ｉｎ               ｔｈｅ               22ｎｄ               Ａｎｎｕａｌ               Ｗｉｌｌ               Ｅｉｓｎｅｒ               Ｃｏｍｉｃ               Ｉｎｄｕｓｔｒｙ               Ａｗａｒｄｓ.

Ｔｈｅ               ｍａｓｔｅｒ               ｏｆ               ｃｅｒｅｍｏｎｉｅｓ               ｏｆ               ｔｈｉｓ               ｅｖｅｎｔ               ｗｉｌｌ               ｂｅ               Ｂｏｎｇｏ               Ｃｏｍｉｃｓ               Ｂｉｌｌ               Ｍｏｒｒｉｓｏｎ               ａｎｄ               ｖｏｉｃｅ               ａｃｔｏｒ               ｆｒｏｍ               Ｐｉｎｋｙ               ａｎｄ               ｔｈｅ               Ｂｒａｉｎ               &               Ｆｕｔｕｒａｍａ,               Ｍａｕｒｉｃｅ               ＬａＭａｔｃｈｅ.

Ｔｈｅ               ａｗａｒｄｓ               ｔｈｅｍｅ               ｔｈｉｓ               ｙｅａｒ               ｉｓ               "Ｃｏｍｉｃｓ               Ｆｉｅｓｔａ",               ｗｈｉｃｈ               ｉｔ               ｓｕｒｅｌｙ               ｗｉｌｌ               ｂｅ               ａｌｌ               ｎｉｇｈｔ               ｌｏｎｇ.

Ｋｉｃｋｉｎｇ               ｏｆｆ               ｔｈｅ               ｃｅｒｅｍｏｎｉｅｓ               ｗｉｌｌ               ｂｅ               ｔｈｅ               ｃａｓｔ               ｆｒｏｍ               Ｓｃｏｔｔ               Ｐｉｌｇｒｉｍ               Ｖｓ.

ｔｈｅ               Ｗｏｒｌｄ.

Ｔｈｉｓ               ｆｉｌｍ               ｏｐｅｎｓ               ｉｎ               ｔｈｅａｔｅｒｓ               ｏｎ               Ａｕｇｕｓｔ               13ｔｈ.

Ｉｔ               ｉｓ               ｂａｓｅｄ               ｏｎ               ｔｈｅ               ｇｒａｐｈｉｃ               ｎｏｖｅｌ               ｓｅｒｉｅｓ               ｂｙ               ｃａｒｔｏｏｎｉｓｔ               Ｂｒｙａｎ               Ｌｅｅ               Ｏ'Ｍａｌｌｅｙ.

Ｈｉｓ               Ｖｏｌｕｍｅ               5               ｉｎ               ｔｈｉｓ               ｓｅｒｉｅｓ               ｉｓ               ｎｏｍｉｎａｔｅｄ               ｆｏｒ               ａｎ               Ｅｉｓｎｅｒ.

Ｔｈｅ               ｃａｓｔ               ｍｅｍｂｅｒｓ               ｉｎｃｌｕｄｅ               Ｍｉｃｈａｅｌ               Ｃｅｒａ,               Ａｕｂｒｅｙ               Ｐｌａｚａ,               Ａｎｎａ               Ｋｅｎｄｒｉｃｋ               ａｎｄ               ｍａｎｙ               ｏｔｈｅｒｓ               ｗｈｏ               ｗｉｌｌ               ｐｒｅｓｅｎｔ               ｉｎ               ｔｈｒｅｅ               ｃａｔｅｇｏｒｉｅｓ.
               Ｉｎ               ｃｌｏｓｉｎｇ,               ｏｔｈｅｒ               ｃｅｌｅｂｒｉｔｙ               ｐｒｅｓｅｎｔｅｒｓ               ｗｉｌｌ               ｂｅ               ｗｒｉｔｅｒ/ａｃｔｏｒ               ｏｆ               Ｒｅｎｏ               911               &               Ｂａｌｌｓ               ｏｆ               Ｆｕｒｙ,               Ｂｅｎ               Ｇａｒａｎｔ,               ｖｏｉｃｅ               ａｃｔｏｒ/ｃｏｍｅｄｉａｎ               ｆｒｏｍ               ＭａｄＴＶ               &               Ｆａｍｉｌｙ               Ｇｕｙ,               Ｐｈｉｌ               ＬａＭａｒｒ,               ａｎｄ               ａｃｔｏｒ/ｃｏｍｉｃｓ               ｃｒｅａｔｏｒ               ｏｆ               Ｔｈｅ               Ｐｕｎｉｓｈｅｒ               Ｔｈｏｍａｓ               Ｊａｎｅ.

Ｎｏｍｉｎｅｅｓ               ａｎｄ               Ｃｏｍｉｃ-Ｃｏｎ               ｓｐｅｃｉａｌ               ｇｕｅｓｔｓ               ｗｉｌｌ               ａｌｓｏ               ｐｒｅｓｅｎｔ               ｓｕｃｈ               ａｓ:               Ｃ.

Ｔｙｌｅｒ,               Ｊａｍｅｓ               Ｒｏｂｉｎｓｏｎ,               Ｐｅｔｅｒ               Ｂａｇｇｅ,               Ｍｉｌｏ               Ｍａｎａｒａ               ａｎｄ               Ｊａｍｅｓ               Ｓｔｕｒｍ.

ＤＣ               Ｃｏｍｉｃｓ               ｒｅｃｅｉｖｅｄ               ｔｈｅ               ｍｏｓｔ               ｎｏｍｉｎａｔｉｏｎｓ               ｆｏｒ               ａ               ｐｕｂｌｉｓｈｅｒ               ｗｉｔｈ               ａ               ｔｏｔａｌ               ｏｆ               20.

Ｃｒｅａｔｏｒｓ               ｗｉｔｈ               ｔｈｅ               ｍｏｓｔ               ｎｏｍｉｎａｔｉｏｎｓ               ａｒｅ               Ｊａｐａｎｅｓｅ               ｍａｎｇａ               ｍａｓｔｅｒ               Ｎａｏｋｉ               Ｕｒａｓａｗａ               ｗｉｔｈ               5               ａｎｄ               Ｄａｖｉｄ               Ｍａｚｚｕｃｃｈｅｌｌｉ               ｗｉｔｈ               4               ｆｏｒ               ｈｉｓ               ｌｉｔｅｒａｒｙ               ｇｒａｐｈｉｃ               ｎｏｖｅｌ,               Ａｓｔｅｒｉｏｓ               Ｐｏｌｙｐ.

Ｂｅｌｏｗ               ｙｏｕ               ｗｉｌｌ               ｆｉｎｄ               ａ               ｃｏｍｐｌｅｔｅ               ｌｉｓｔ               ｏｆ               ｎｏｍｉｎｅｅｓ.
               Ｔｈｅ               2010               Ｗｉｌｌ               Ｅｉｓｎｅｒ               Ｃｏｍｉｃ               Ｉｎｄｕｓｔｒｙ               Ａｗａｒｄ               Ｎｏｍｉｎｅｅｓ:
               Ｂｅｓｔ               Ｓｈｏｒｔ               Ｓｔｏｒｙ
               "Ｂｅｃａｕｓｅ               Ｉ               Ｌｏｖｅ               Ｙｏｕ               Ｓｏ               Ｍｕｃｈ,"               ｂｙ               Ｎｉｋｏｌｉｎｅ               Ｗｅｒｄｅｌｉｎ,               ｉｎ               Ｆｒｏｍ               Ｗｏｎｄｅｒｌａｎｄ               ｗｉｔｈ               Ｌｏｖｅ:               Ｄａｎｉｓｈ               Ｃｏｍｉｃｓ               ｉｎ               ｔｈｅ               3ｒｄ               Ｍｉｌｌｅｎｎｉｕｍ               (Ｆａｎｔａｇｒａｐｈｉｃｓ/Ａｂｅｎ               ｍａｌｅｒ)               
               "Ｇｅｎｔｌｅｍａｎ               Ｊｏｈｎ,"               ｂｙ               Ｎａｔｈａｎ               Ｇｒｅｎｏ,               ｉｎ               Ｗｈａｔ               Ｉｓ               Ｔｏｒｃｈ               Ｔｉｇｅｒ?

(Ｔｏｒｃｈ               Ｔｉｇｅｒ)               
               "Ｈｏｗ               ａｎｄ               Ｗｈｙ               ｔｏ               Ｂａｌｅ               Ｈａｙ,"               ｂｙ               Ｎｉｃｋ               Ｂｅｒｔｏｚｚｉ,               ｉｎ               Ｓｙｎｃｏｐａｔｅｄ               (Ｖｉｌｌａｒｄ)               
               "Ｈｕｒｒｉｃａｎｅ,"               ｉｎｔｅｒｐｒｅｔｅｄ               ｂｙ               Ｇｒａｄｉｍｉｒ               Ｓｍｕｄｊａ,               ｉｎ               Ｂｏｂ               Ｄｙｌａｎ               Ｒｅｖｉｓｉｔｅｄ               (Ｎｏｒｔｏｎ)               
               "Ｕｒｇｅｎｔ               Ｒｅｑｕｅｓｔ,"               ｂｙ               Ｇｅｎｅ               Ｌｕｅｎ               Ｙａｎｇ               ａｎｄ               Ｄｅｒｅｋ               Ｋｉｒｋ               Ｋｉｍ,               ｉｎ               Ｔｈｅ               Ｅｔｅｒｎａｌ               Ｓｍｉｌｅ               (Ｆｉｒｓｔ               Ｓｅｃｏｎｄ)
               Ｂｅｓｔ               Ｓｉｎｇｌｅ               Ｉｓｓｕｅ               (ｏｒ               Ｏｎｅ-Ｓｈｏｔ)
               Ｂｒａｖｅ               &               ｔｈｅ               Ｂｏｌｄ               #28:               "Ｂｌａｃｋｈａｗｋ               ａｎｄ               ｔｈｅ               Ｆｌａｓｈ:               Ｆｉｒｉｎｇ               Ｌｉｎｅ,"               ｂｙ               Ｊ.

Ｍｉｃｈａｅｌ               Ｓｔｒａｃｚｙｎｓｋｉ               ａｎｄ               Ｊｅｓｕｓ               Ｓａｉｚ               (ＤＣ)               
               Ｃａｐｔａｉｎ               Ａｍｅｒｉｃａ               #601:               "Ｒｅｄ,               Ｗｈｉｔｅ,               ａｎｄ               Ｂｌｕｅ-Ｂｌｏｏｄ,"               ｂｙ               Ｅｄ               Ｂｒｕｂａｋｅｒ               ａｎｄ               Ｇｅｎｅ               Ｃｏｌａｎ               (Ｍａｒｖｅｌ)               
               Ｇａｎｇｅｓ               #3,               ｂｙ               Ｋｅｖｉｎ               Ｈｕｉｚｅｎｇａ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)               
               Ｔｈｅ               Ｕｎｗｒｉｔｔｅｎ               #5:               "Ｈｏｗ               ｔｈｅ               Ｗｈａｌｅ               Ｂｅｃａｍｅ,"               ｂｙ               Ｍｉｋｅ               Ｃａｒｅｙ               ａｎｄ               Ｐｅｔｅｒ               Ｇｒｏｓｓ               (Ｖｅｒｔｉｇｏ/ＤＣ)               
               Ｕｓａｇｉ               Ｙｏｊｉｍｂｏ               #123:               "Ｔｈｅ               Ｄｅａｔｈ               ｏｆ               Ｌｏｒｄ               Ｈｉｋｉｊｉ"               ｂｙ               Ｓｔａｎ               Ｓａｋａｉ               (Ｄａｒｋ               Ｈｏｒｓｅ)
               Ｂｅｓｔ               Ｃｏｎｔｉｎｕｉｎｇ               Ｓｅｒｉｅｓ
               Ｆａｂｌｅｓ,               ｂｙ               Ｂｉｌｌ               Ｗｉｌｌｉｎｇｈａｍ,               Ｍａｒｋ               Ｂｕｃｋｉｎｇｈａｍ,               Ｓｔｅｖｅ               Ｌｅｉａｌｏｈａ,               Ａｎｄｒｅｗ               Ｐｅｐｏｙ               ｅｔ               ａｌ.

(Ｖｅｒｔｉｇｏ/ＤＣ)
               Ｉｒｒｅｄｅｅｍａｂｌｅ,               ｂｙ               Ｍａｒｋ               Ｗａｉｄ               ａｎｄ               Ｐｅｔｅｒ               Ｋｒａｕｓｅ               (ＢＯＯＭ!)
               Ｎａｏｋｉ               Ｕｒａｓａｗａ'ｓ               20ｔｈ               Ｃｅｎｔｕｒｙ               Ｂｏｙｓ,               ｂｙ               Ｎａｏｋｉ               Ｕｒａｓａｗａ               (ＶＩＺ               Ｍｅｄｉａ)
               Ｔｈｅ               Ｕｎｗｒｉｔｔｅｎ,               ｂｙ               Ｍｉｋｅ               Ｃａｒｅｙ               ａｎｄ               Ｐｅｔｅｒ               Ｇｒｏｓｓ               (Ｖｅｒｔｉｇｏ/ＤＣ)
               Ｔｈｅ               Ｗａｌｋｉｎｇ               Ｄｅａｄ,               ｂｙ               Ｒｏｂｅｒｔ               Ｋｉｒｋｍａｎ               ａｎｄ               Ｃｈａｒｌｅｓ               Ａｄｌａｒｄ               (Ｉｍａｇｅ)
               Ｂｅｓｔ               Ｌｉｍｉｔｅｄ               Ｓｅｒｉｅｓ               ｏｒ               Ｓｔｏｒｙ               Ａｒｃ
               Ｂｌａｃｋｅｓｔ               Ｎｉｇｈｔ,               ｂｙ               Ｇｅｏｆｆ               Ｊｏｈｎｓ,               Ｉｖａｎ               Ｒｅｉｓ,               ａｎｄ               Ｏｃｌａｉｒ               Ａｌｂｅｒｔ               (ＤＣ)
               Ｉｎｃｏｇｎｉｔｏ,               ｂｙ               Ｅｄ               Ｂｒｕｂａｋｅｒ               ａｎｄ               Ｓｅａｎ               Ｐｈｉｌｌｉｐｓ               (Ｍａｒｖｅｌ               Ｉｃｏｎ)               
               Ｐｌｕｔｏ:               Ｕｒａｓａｗａ               Ｘ               Ｔｅｚｕｋａ,               ｂｙ               Ｎａｏｋｉ               Ｕｒａｓａｗａ               ａｎｄ               Ｔａｋａｓｈｉ               Ｎａｇａｓａｋｉ               (ＶＩＺ               Ｍｅｄｉａ)
               Ｗｏｌｖｅｒｉｎｅ               #66-72               ａｎｄ               Ｗｏｌｖｅｒｉｎｅ               Ｇｉａｎｔ-Ｓｉｚｅ               Ｓｐｅｃｉａｌ:               "Ｏｌｄ               Ｍａｎ               Ｌｏｇａｎ,"               ｂｙ               Ｍａｒｋ               Ｍｉｌｌａｒ,               Ｓｔｅｖｅ               ＭｃＮｉｖｅｎ,               ａｎｄ               Ｄｅｘｔｅｒ               Ｖｉｎｅｓ               (Ｍａｒｖｅｌ)
               Ｔｈｅ               Ｗｏｎｄｅｒｆｕｌ               Ｗｉｚａｒｄ               ｏｆ               Ｏｚ,               ｂｙ               Ｅｒｉｃ               Ｓｈａｎｏｗｅｒ               ａｎｄ               Ｓｋｏｔｔｉｅ               Ｙｏｕｎｇ               (Ｍａｒｖｅｌ)
               Ｂｅｓｔ               Ｎｅｗ               Ｓｅｒｉｅｓ
               Ｃｈｅｗ,               ｂｙ               Ｊｏｈｎ               Ｌａｙｍａｎ               ａｎｄ               Ｒｏｂ               Ｇｕｉｌｌｏｒｙ               (Ｉｍａｇｅ)
               Ｄｏ               Ａｎｄｒｏｉｄｓ               Ｄｒｅａｍ               ｏｆ               Ｅｌｅｃｔｒｉｃ               Ｓｈｅｅｐ?

ｂｙ               Ｐｈｉｌｌｉｐ               Ｋ.

Ｄｉｃｋ,               ａｒｔ               ｂｙ               Ｔｏｎｙ               Ｐａｒｋｅｒ               (ＢＯＯＭ!)
               Ｉｒｅｅｄｅｅｍａｂｌｅ,               ｂｙ               Ｍａｒｋ               Ｗａｉｄ               ａｎｄ               Ｐｅｔｅｒ               Ｋｒａｕｓｅ               (ＢＯＯＭ!)
               Ｓｗｅｅｔ               Ｔｏｏｔｈ,               ｂｙ               Ｊｅｆｆ               Ｌｅｍｉｒｅ               (Ｖｅｒｔｉｇｏ/ＤＣ)
               Ｔｈｅ               Ｕｎｗｒｉｔｔｅｎ,               ｂｙ               Ｍｉｋｅ               Ｃａｒｅｙ               ａｎｄ               Ｐｅｔｅｒ               Ｇｒｏｓｓ               (Ｖｅｒｔｉｇｏ/ＤＣ)
               Ｂｅｓｔ               Ｐｕｂｌｉｃａｔｉｏｎ               ｆｏｒ               Ｋｉｄｓ
               Ｌｕｎｃｈ               Ｌａｄｙ               ａｎｄ               ｔｈｅ               Ｃｙｂｏｒｇ               Ｓｕｂｓｔｉｔｕｔｅ,               ｂｙ               Ｊａｒｒｅｔｔ               Ｊ.

Ｋｒｏｓｏｃｚｋａ               (Ｋｎｏｐｆ)
               Ｔｈｅ               Ｓｅｃｒｅｔ               Ｓｃｉｅｎｃｅ               Ａｌｌｉａｎｃｅ               ａｎｄ               ｔｈｅ               Ｃｏｐｙｃａｔ               Ｃｒｏｏｋ,               ｂｙ               Ｅｌｅａｎｏｒ               Ｄａｖｉｓ               (Ｂｌｏｏｍｓｂｕｒｙ)
               Ｔｉｎｙ               Ｔｙｒａｎｔ               ｖｏｌ.

1:               Ｔｈｅ               Ｅｔｈｅｌｂｅｒｔｏｓａｕｒｕｓ,               ｂｙ               Ｌｅｗｉｓ               Ｔｒｏｎｄｈｅｉｍ               ａｎｄ               Ｆａｂｒｉｃｅ               Ｐａｒｍｅ               (Ｆｉｒｓｔ               Ｓｅｃｏｎｄ)
               Ｔｈｅ               ＴＯＯＮ               Ｔｒｅａｓｕｒｙ               ｏｆ               Ｃｌａｓｓｉｃ               Ｃｈｉｌｄｒｅｎ'ｓ               Ｃｏｍｉｃｓ,               ｅｄｉｔｅｄ               ｂｙ               Ａｒｔ               Ｓｐｉｅｇｅｌｍａｎ               ａｎｄ               Ｆｒａｎｃｏｉｓｅ               Ｍｏｕｌｙ               (Ａｂｒａｍｓ               ＣｏｍｉｃＡｒｔｓ/Ｔｏｏｎ)
               Ｔｈｅ               Ｗｏｎｄｅｒｆｕｌ               Ｗｉｚａｒｄ               ｏｆ               Ｏｚ               ｈｃ,               ｂｙ               Ｌ.

Ｆｒａｎｋ               Ｂａｕｍ,               Ｅｒｉｃ               Ｓｈａｎｏｗｅｒ,               ａｎｄ               Ｓｋｏｔｔｉｅ               Ｙｏｕｎｇ               (Ｍａｒｖｅｌ)
               Ｂｅｓｔ               Ｐｕｂｌｉｃａｔｉｏｎ               ｆｏｒ               Ｔｅｅｎｓ
               Ａｎｇｏｒａ               Ｎａｐｋｉｎ,               ｂｙ               Ｔｒｏｙ               Ｌｉｔｔｌｅ               (ＩＤＷ)
               Ｂｅａｓｔｓ               ｏｆ               Ｂｕｒｄｅｎ,               ｂｙ               Ｅｖａｎ               Ｄｏｒｋｉｎ               ａｎｄ               Ｊｉｌｌ               Ｔｈｏｍｐｓｏｎ               (Ｄａｒｋ               Ｈｏｒｓｅ)
               Ａ               Ｆａｍｉｌｙ               Ｓｅｃｒｅｔ,               ｂｙ               Ｅｒｉｃ               Ｈｅｕｖｅｌ               (Ｆａｒｒａｒ               Ｓｔｒａｕｓ               Ｇｉｒｏｕｘ/Ａｎｎｅ               Ｆｒａｎｋ               Ｈｏｕｓｅ)
               Ｆａｒ               Ａｒｄｅｎ,               ｂｙ               Ｋｅｖｉｎ               Ｃａｎｎｏｎ               (Ｔｏｐ               Ｓｈｅｌｆ)
               Ｉ               Ｋｉｌｌ               Ｇｉａｎｔｓ               ｔｐｂ,               ｂｙ               Ｊｏｅ               Ｋｅｌｌｙ               ａｎｄ               ＪＭ               Ｋｅｎ               Ｎｉｉｍｕｒａ               (Ｉｍａｇｅ)
               Ｂｅｓｔ               Ｈｕｍｏｒ               Ｐｕｂｌｉｃａｔｉｏｎ
               Ｄｒｉｎｋｙ               Ｃｒｏｗ'ｓ               Ｍａａｋｉｅｓ               Ｔｒｅａｓｕｒｙ,               ｂｙ               Ｔｏｎｙ               Ｍｉｌｌｉｏｎａｉｒｅ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｅｖｅｒｙｂｏｄｙ               Ｉｓ               Ｓｔｕｐｉｄ               Ｅｘｃｅｐｔ               ｆｏｒ               Ｍｅ,               Ａｎｄ               Ｏｔｈｅｒ               Ａｓｔｕｔｅ               Ｏｂｓｅｒｖａｔｉｏｎｓ,               ｂｙ               Ｐｅｔｅｒ               Ｂａｇｇｅ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｌｉｔｔｌｅ               Ｌｕｌｕ,               ｖｏｌｓ.

19-21,               ｂｙ               Ｊｏｈｎ               Ｓｔａｎｌｅｙ               ａｎｄ               Ｉｒｖｉｎｇ               Ｔｒｉｐｐ               (Ｄａｒｋ               Ｈｏｒｓｅ               Ｂｏｏｋｓ)
               Ｔｈｅ               Ｍｕｐｐｅｔ               Ｓｈｏｗ               Ｃｏｍｉｃ               Ｂｏｏｋ:               Ｍｅｅｔ               ｔｈｅ               Ｍｕｐｐｅｔｓ,               ｂｙ               Ｒｏｇｅｒ               Ｌａｎｇｒｉｄｇｅ               (ＢＯＯＭ               Ｋｉｄｓ!)
               Ｓｃｏｔｔ               Ｐｉｌｇｒｉｍ               ｖｏｌ.

5:               Ｓｃｏｔｔ               Ｐｉｌｇｒｍ               ｖｓ.

ｔｈｅ               Ｕｎｉｖｅｒｓｅ,               ｂｙ               Ｂｒｉａｎ               Ｌｅｅ               Ｏ'Ｍａｌｌｅｙ               (Ｏｎｉ)
               Ｂｅｓｔ               Ａｎｔｈｏｌｏｇｙ
               Ａｂｓｔｒａｃｔ               Ｃｏｍｉｃｓ,               ｅｄｉｔｅｄ               ｂｙ               Ａｎｄｒｅｉ               Ｍｏｌｏｔｉｕ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｂｏｂ               Ｄｙｌａｎ               Ｒｅｖｉｓｉｔｅｄ,               ｅｄｉｔｅｄ               ｂｙ               Ｂｏｂ               Ｗｅｉｌｌ               (Ｎｏｒｔｏｎ)
               Ｆｌｉｇｈｔ               6,               ｅｄｉｔｅｄ               ｂｙ               Ｋａｚｕ               Ｋｉｂｕｉｓｈｉ               (Ｖｉｌｌａｒｄ)
               Ｐｏｐｇｕｎ               ｖｏｌ.

3,               ｅｄｉｔｅｄ               ｂｙ               Ｍａｒｋ               Ａｎｄｒｅｗ               Ｓｍｉｔｈ,               Ｄ.

Ｊ.

Ｋｉｒｋｂｒｉｄｅ,               ａｎｄ               Ｊｏｅ               Ｋｅａｔｉｎｇｅ               (Ｉｍａｇｅ)
               Ｓｙｎｃｏｐａｔｅｄ:               Ａｎ               Ａｎｔｈｏｌｏｇｙ               ｏｆ               Ｎｏｎｆｉｃｔｉｏｎ               Ｐｉｃｔｏ-Ｅｓｓａｙｓ,               ｅｄｉｔｅｄ               ｂｙ               Ｂｒｅｎｄａｎ               Ｂｕｒｆｏｒｄ               (Ｖｉｌｌａｒｄ)
               Ｗｈａｔ               Ｉｓ               Ｔｏｒｃｈ               Ｔｉｇｅｒ?

ｅｄｉｔｅｄ               ｂｙ               Ｐａｕｌ               Ｂｒｉｇｇｓ               (Ｔｏｒｃｈ               Ｔｉｇｅｒ)
               Ｂｅｓｔ               Ｄｉｇｉｔａｌ               Ｃｏｍｉｃ
               Ａｂｏｍｉｎａｂｌｅ               Ｃｈａｒｌｅｓ               Ｃｈｒｉｓｔｏｐｈｅｒ,               ｂｙ               Ｋａｒｌ               Ｋｅｒｓｃｈｌ,
               ｗｗｗ.ａｂｏｍｉｎａｂｌｅ.ｃｃ
               Ｂａｙｏｕ,               ｂｙ               Ｊｅｒｅｍｙ               Ｌｏｖｅ,               
               ｈｔｔｐ://ｚｕｄａｃｏｍｉｃｓ.ｃｏｍ/ｂａｙｏｕ
               Ｔｈｅ               Ｇｕｎｓ               ｏｆ               Ｓｈａｄｏｗ               Ｖａｌｌｅｙ,               ｂｙ               Ｄａｖｉｄ               Ｗａｃｈｔｅｒ               ａｎｄ               Ｊａｍｅｓ               Ａｎｄｒｅｗ               Ｃｌａｒｋ,               
               ｗｗｗ.ｇｕｎｓｏｆｓｈａｄｏｗｖａｌｌｅｙ.ｃｏｍ
               Ｐｏｗｅｒ               Ｏｕｔ,               ｂｙ               Ｎａｔｈａｎ               Ｓｃｈｒｅｉｂｅｒ,               
               ｗｗｗ.ａｃｔ-ｉ-ｖａｔｅ.ｃｏｍ/67.ｃｏｍｉｃ
               Ｓｉｎ               Ｔｉｔｕｌｏ,               ｂｙ               Ｃａｍｅｒｏｎ               Ｓｔｅｗａｒｔ,               
               ｗｗｗ.ｓｉｎｔｉｔｕｌｏｃｏｍｉｃ.ｃｏｍ/
               Ｂｅｓｔ               Ｒｅａｌｉｔｙ-Ｂａｓｅｄ               Ｗｏｒｋ
               Ａ               Ｄｒｉｆｔｉｎｇ               Ｌｉｆｅ,               ｂｙ               Ｙｏｓｈｉｈｉｒｏ               Ｔａｔｓｕｍｉ               (Ｄｒａｗｎ               &               Ｑｕａｒｔｅｒｌｙ)
               Ｆｏｏｔｎｏｔｅｓ               ｉｎ               Ｇａｚａ,               ｂｙ               Ｊｏｅ               Ｓａｃｃｏ               (Ｍｅｔｒｏｐｏｌｉｔａｎ/Ｈｏｌｔ)
               Ｔｈｅ               Ｉｍｐｏｓｔｏｒ'ｓ               Ｄａｕｇｈｔｅｒ,               ｂｙ               Ｌａｕｒｉｅ               Ｓａｎｄｅｌｌ               (Ｌｉｔｔｌｅ,               Ｂｒｏｗｎ)
               Ｍｏｎｓｔｅｒｓ,               ｂｙ               Ｋｅｎ               Ｄａｈｌ               (Ｓｅｃｒｅｔ               Ａｃｒｅｓ)
               Ｔｈｅ               Ｐｈｏｔｏｇｒａｐｈｅｒ,               ｂｙ               Ｅｍｍａｎｕｅｌ               Ｇｕｉｂｅｒｔ,               Ｄｉｄｉｅｒ               Ｌｅｆèｖｒｅ,               ａｎｄ               Ｆｒéｄéｒｉｃ               Ｌｅｍｅｒｉｅｒ               (Ｆｉｒｓｔ               Ｓｅｃｏｎｄ)
               Ｓｔｉｔｃｈｅｓ,               ｂｙ               Ｄａｖｉｄ               Ｓｍａｌｌ               (Ｎｏｒｔｏｎ)
               Ｂｅｓｔ               Ａｄａｐｔａｔｉｏｎ               ｆｒｏｍ               Ａｎｏｔｈｅｒ               Ｗｏｒｋ
               Ｔｈｅ               Ｂｏｏｋ               ｏｆ               Ｇｅｎｅｓｉｓ               Ｉｌｌｕｓｔｒａｔｅｄ,               ｂｙ               Ｒ.

Ｃｒｕｍｂ               (Ｎｏｒｔｏｎ)
               Ｃｈａｒｌｅｓ               Ｄａｒｗｉｎ'ｓ               Ｏｎ               ｔｈｅ               Ｏｒｉｇｉｎ               ｏｆ               Ｓｐｅｃｉｅｓ:               Ａ               Ｇｒａｐｈｉｃ               Ａｄａｐｔａｔｉｏｎ,               ａｄａｐｔｅｄ               ｂｙ               Ｍｉｃｈａｅｌ               Ｋｅｌｌｅｒ               ａｎｄ               Ｎｉｃｏｌｌｅ               Ｒａｇｅｒ               Ｆｕｌｌｅｒ               (Ｒｏｄａｌｅ)
               Ｆａｈｒｅｎｈｅｉｔ               451,               ｂｙ               Ｒａｙ               Ｂｒａｄｂｕｒｙ,               ａｄａｐｔｅｄ               ｂｙ               Ｔｉｍ               Ｈａｍｉｌｔｏｎ               (Ｈｉｌｌ               &               Ｗａｎｇ)
               Ｒｉｃｈａｒｄ               Ｓｔａｒｋ'ｓ               Ｐａｒｋｅｒ:               Ｔｈｅ               Ｈｕｎｔｅｒ,               ａｄａｐｔｅｄ               ｂｙ               Ｄａｒｗｙｎ               Ｃｏｏｋｅ               (ＩＤＷ)
               Ｗｅｓｔ               Ｃｏａｓｔ               Ｂｌｕｅｓ,               ｂｙ               Ｊｅａｎ-Ｐａｔｒｉｃｋ               Ｍａｎｃｈｅｔｔｅ,               ａｄａｐｔｅｄ               ｂｙ               Ｊａｃｑｕｅｓ               Ｔａｒｄｉ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｂｅｓｔ               Ｇｒａｐｈｉｃ               Ａｌｂｕｍ-Ｎｅｗ
               Ａｓｔｅｒｉｏｓ               Ｐｏｌｙｐ,               ｂｙ               Ｄａｖｉｄ               Ｍａｚｚｕｃｃｈｅｌｌｉ               (Ｐａｎｔｈｅｏｎ)
               Ａ               Ｄｉｓｔａｎｔ               Ｎｅｉｇｈｂｏｒｈｏｏｄ               (2               ｖｏｌｓ.),               ｂｙ               Ｊｉｒｏ               Ｔａｎｉｇｕｃｈｉ               (Ｆａｎｆａｒｅ/Ｐｏｎｅｎｔ               Ｍｏｎ)
               Ｔｈｅ               Ｂｏｏｋ               ｏｆ               Ｇｅｎｅｓｉｓ               Ｉｌｌｕｓｔｒａｔｅｄ,               ｂｙ               Ｒ.

Ｃｒｕｍｂ               (Ｎｏｒｔｏｎ)
               Ｍｙ               ｍｏｍｍｙ               ｉｓ               ｉｎ               Ａｍｅｒｉｃａ               ａｎｄ               ｓｈｅ               ｍｅｔ               Ｂｕｆｆａｌｏ               Ｂｉｌｌ,               ｂｙ               Ｊｅａｎ               Ｒｅｇｎａｕｄ               ａｎｄ               éｍｉｌｅ               Ｂｒａｖｏ               (Ｆａｎｆａｒｅ/Ｐｏｎｅｎｔ               Ｍｏｎ)
               Ｔｈｅ               Ｐｈｏｔｏｇｒａｐｈｅｒ,               ｂｙ               Ｅｍｍａｎｕｅｌ               Ｇｕｉｂｅｒｔ,               Ｄｉｄｉｅｒ               Ｌｅｆèｖｒｅ,               ａｎｄ               Ｆｒéｄéｒｉｃ               Ｌｅｍｅｒｉｅｒ               (Ｆｉｒｓｔ               Ｓｅｃｏｎｄ)
               Ｒｉｃｈａｒｄ               Ｓｔａｒｋ'ｓ               Ｐａｒｋｅｒ:               Ｔｈｅ               Ｈｕｎｔｅｒ,               ａｄａｐｔｅｄ               ｂｙ               Ｄａｒｗｙｎ               Ｃｏｏｋｅ               (ＩＤＷ)
               Ｂｅｓｔ               Ｇｒａｐｈｉｃ               Ａｌｂｕｍ-Ｒｅｐｒｉｎｔ
               Ａｂｓｏｌｕｔｅ               Ｊｕｓｔｉｃｅ,               ｂｙ               Ａｌｅｘ               Ｒｏｓｓ,               Ｊｉｍ               Ｋｒｕｅｇｅｒ,               ａｎｄ               Ｄｏｕｇ               Ｂｒａｉｔｈｅｗａｉｔｅ               (ＤＣ)
               Ａ.Ｄ.:               Ｎｅｗ               Ｏｒｌｅａｎｓ               Ａｆｔｅｒ               ｔｈｅ               Ｄｅｌｕｇｅ,               ｂｙ               Ｊｏｓｈ               Ｎｅｕｆｅｌｄ               (Ｐａｎｔｈｅｏｎ)
               Ａｌｅｃ:               Ｔｈｅ               Ｙｅａｒｓ               Ｈａｖｅ               Ｐａｎｔｓ,               ｂｙ               Ｅｄｄｉｅ               Ｃａｍｐｂｅｌｌ               (Ｔｏｐ               Ｓｈｅｌｆ)
               Ｅｓｓｅｘ               Ｃｏｕｎｔｙ               Ｃｏｌｌｅｃｔｅｄ,               ｂｙ               Ｊｅｆｆ               Ｌｅｍｉｒｅ               (Ｔｏｐ               Ｓｈｅｌｆ)
               Ｍａｐ               ｏｆ               Ｍｙ               Ｈｅａｒｔ:               Ｔｈｅ               Ｂｅｓｔ               ｏｆ               Ｋｉｎｇ-Ｃａｔ               Ｃｏｍｉｃｓ               &               Ｓｔｏｒｉｅｓ,               1996-2002,               ｂｙ               Ｊｏｈｎ               Ｐｏｒｃｅｌｌｉｎｏ               (Ｄｒａｗｎ               &               Ｑｕａｒｔｅｒｌｙ)
               Ｂｅｓｔ               Ａｒｃｈｉｖａｌ               Ｃｏｌｌｅｃｔｉｏｎ/Ｐｒｏｊｅｃｔ-Ｓｔｒｉｐｓ
               Ｂｌｏｏｍ               Ｃｏｕｎｔｙ:               Ｔｈｅ               Ｃｏｍｐｌｅｔｅ               Ｌｉｂｒａｒｙ,               ｖｏｌ.

1,               ｂｙ               Ｂｅｒｋｅｌｅｙ               Ｂｒｅａｔｈｅｄ,               ｅｄｉｔｅｄ               ｂｙ               Ｓｃｏｔｔ               Ｄｕｎｂｉｅｒ               (ＩＤＷ)
               Ｂｒｉｎｇｉｎｇ               Ｕｐ               Ｆａｔｈｅｒ,               ｖｏｌ.

1:               Ｆｒｏｍ               Ｓｅａ               ｔｏ               Ｓｈｉｎｉｎｇ               Ｓｅａ,               ｂｙ               Ｇｅｏｒｇｅ               ＭｃＭａｎｕｓ               ａｎｄ               Ｚｅｋｅ               Ｚｅｋｌｅｙ,               ｅｄｉｔｅｄ               ｂｙ               Ｂｒｕｃｅ               Ｃａｎｗｅｌｌ               (ＩＤＷ)
               Ｔｈｅ               Ｂｒｉｎｋｌｅｙ               Ｇｉｒｌｓ:               Ｔｈｅ               Ｂｅｓｔ               ｏｆ               Ｎｅｌｌ               Ｂｒｉｎｋｌｅｙ'ｓ               Ｃａｒｔｏｏｎｓ               1913-1940,               ｅｄｉｔｅｄ               ｂｙ               Ｔｒｉｎａ               Ｒｏｂｂｉｎｓ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｇａｈａｎ               Ｗｉｌｓｏｎ:               50               Ｙｅａｒｓ               ｏｆ               Ｐｌａｙｂｏｙ               Ｃａｒｔｏｏｎｓ,               ｂｙ               Ｇａｈａｎ               Ｗｉｌｓｏｎ,               ｅｄｉｔｅｄ               ｂｙ               Ｇａｒｙ               Ｇｒｏｔｈ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｐｒｉｎｃｅ               Ｖａｌｉａｎｔ,               ｖｏｌ.

1:               1937-1938,               ｂｙ               Ｈａｌ               Ｆｏｓｔｅｒ,               ｅｄｉｔｅｄ               ｂｙ               Ｋｉｍ               Ｔｈｏｍｐｓｏｎ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｑｕｅｅｒ               Ｖｉｓｉｔｏｒｓ               ｆｒｏｍ               ｔｈｅ               Ｍａｒｖｅｌｏｕｓ               Ｌａｎｄ               ｏｆ               Ｏｚ,               ｂｙ               Ｌ.

Ｆｒａｎｋ               Ｂａｕｍ,               Ｗａｌｔ               ＭｃＤｏｕｇａｌｌ,               ａｎｄ               Ｗ.

Ｗ.

Ｄｅｎｓｌｏｗ,               ｅｄｉｔｅｄ               ｂｙ               Ｐｅｔｅｒ               Ｍａｒｅｓｃａ               (Ｓｕｎｄａｙ               Ｐｒｅｓｓ)
               Ｂｅｓｔ               Ａｒｃｈｉｖａｌ               Ｃｏｌｌｅｃｔｉｏｎ/Ｐｒｏｊｅｃｔ-Ｃｏｍｉｃ               Ｂｏｏｋｓ
               Ｔｈｅ               Ｂｅｓｔ               ｏｆ               Ｓｉｍｏｎ               &               Ｋｉｒｂｙ,               ｂｙ               Ｊｏｅ               Ｓｉｍｏｎ               ａｎｄ               Ｊａｃｋ               Ｋｉｒｂｙ,               ｅｄｉｔｅｄ               ｂｙ               Ｓｔｅｖｅ               Ｓａｆｆｅｌ               (Ｔｉｔａｎ               Ｂｏｏｋｓ)
               Ｂｌａｚｉｎｇ               Ｃｏｍｂａｔ,               ｂｙ               Ａｒｃｈｉｅ               Ｇｏｏｄｗｉｎ               ｅｔ               ａｌ.,               ｅｄｉｔｅｄ               ｂｙ               Ｇａｒｙ               Ｇｒｏｔｈ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｈｕｍｂｕｇ,               ｂｙ               Ｈａｒｖｅｙ               Ｋｕｒｔｚｍａｎ               ｅｔ               ａｌ.,               ｅｄｉｔｅｄ               ｂｙ               Ｇａｒｙ               Ｇｒｏｔｈ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｔｈｅ               Ｒｏｃｋｅｔｅｅｒ:               Ｔｈｅ               Ｃｏｍｐｌｅｔｅ               Ａｄｖｅｎｔｕｒｅｓ               ｄｅｌｕｘｅ               ｅｄｉｔｉｏｎ,               ｂｙ               Ｄａｖｅ               Ｓｔｅｖｅｎｓ,               ｅｄｉｔｅｄ               ｂｙ               Ｓｃｏｔｔ               Ｄｕｎｂｉｅｒ               (ＩＤＷ)
               Ｔｈｅ               ＴＯＯＮ               Ｔｒｅａｓｕｒｙ               ｏｆ               Ｃｌａｓｓｉｃ               Ｃｈｉｌｄｒｅｎ'ｓ               Ｃｏｍｉｃｓ,               ｅｄｉｔｅｄ               ｂｙ               Ａｒｔ               Ｓｐｉｅｇｅｌｍａｎ               ａｎｄ               Ｆｒａｎｃｏｉｓｅ               Ｍｏｕｌｙ               (Ａｂｒａｍｓ               ＣｏｍｉｃＡｒｔｓ/Ｔｏｏｎ)
               Ｂｅｓｔ               Ｕ.Ｓ.

Ｅｄｉｔｉｏｎ               ｏｆ               Ｉｎｔｅｒｎａｔｉｏｎａｌ               Ｍａｔｅｒｉａｌ
               Ｍｙ               ｍｏｍｍｙ               ｉｓ               ｉｎ               Ａｍｅｒｉｃａ               ａｎｄ               ｓｈｅ               ｍｅｔ               Ｂｕｆｆａｌｏ               Ｂｉｌｌ,               ｂｙ               Ｊｅａｎ               Ｒｅｇｎａｕｄ               ａｎｄ               Éｍｉｌｅ               Ｂｒａｖｏ               (Ｆａｎｆａｒｅ/Ｐｏｎｅｎｔ               Ｍｏｎ)
               Ｔｈｅ               Ｐｈｏｔｏｇｒａｐｈｅｒ,               ｂｙ               Ｅｍｍａｎｕｅｌ               Ｇｕｉｂｅｒｔ,               Ｄｉｄｉｅｒ               Ｌｅｆèｖｒｅ,               ａｎｄ               Ｆｒéｄéｒｉｃ               Ｌｅｍｅｒｉｅｒ               (Ｆｉｒｓｔ               Ｓｅｃｏｎｄ)
               Ｔｉｎｙ               Ｔｙｒａｎｔ               ｖｏｌ.

1:               Ｔｈｅ               Ｅｔｈｅｌｂｅｒｔｏｓａｕｒｕｓ,               ｂｙ               Ｌｅｗｉｓ               Ｔｒｏｎｄｈｅｉｍ               ａｎｄ               Ｆａｂｒｉｃｅ               Ｐａｒｍｅ               (Ｆｉｒｓｔ               Ｓｅｃｏｎｄ)
               Ｗｅｓｔ               Ｃｏａｓｔ               Ｂｌｕｅｓ,               ｂｙ               Ｊｅａｎ-Ｐａｔｒｉｃｋ               Ｍａｎｃｈｅｔｔｅ,               ａｄａｐｔｅｄ               ｂｙ               Ｊａｃｑｕｅｓ               Ｔａｒｄｉ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｙｅａｒｓ               ｏｆ               ｔｈｅ               Ｅｌｅｐｈａｎｔ,               ｂｙ               Ｗｉｌｌｙ               Ｌｉｎｔｈｏｕｔ               (Ｆａｎｆａｒｅ/Ｐｏｎｅｎｔ               Ｍｏｎ)
               Ｂｅｓｔ               Ｕ.Ｓ.

Ｅｄｉｔｉｏｎ               ｏｆ               Ｉｎｔｅｒｎａｔｉｏｎａｌ               Ｍａｔｅｒｉａｌ-Ａｓｉａ
               Ｔｈｅ               Ｃｏｌｏｒ               Ｔｒｉｌｏｇｙ,               ｂｙ               Ｋｉｍ               Ｄｏｎｇ               Ｈａｗ               (Ｆｉｒｓｔ               Ｓｅｃｏｎｄ)
               Ａ               Ｄｉｓｔａｎｔ               Ｎｅｉｇｈｂｏｒｈｏｏｄ               (2               ｖｏｌｓ.),               ｂｙ               Ｊｉｒｏ               Ｔａｎｉｇｕｃｈｉ               (Ｆａｎｆａｒｅ/Ｐｏｎｅｎｔ               Ｍｏｎ)
               Ａ               Ｄｒｉｆｔｉｎｇ               Ｌｉｆｅ,               ｂｙ               Ｙｏｓｈｉｈｉｒｏ               Ｔａｔｓｕｍｉ               (Ｄｒａｗｎ               &               Ｑｕａｒｔｅｒｌｙ)
               Ｏｉｓｈｉｎｂｏ               ａ               ｌａ               Ｃａｒｔｅ,               ｗｒｉｔｔｅｎ               ｂｙ               Ｔｅｔｓｕ               Ｋａｒｉｙａ               ａｎｄ               ｉｌｌｕｓｔｒａｔｅｄ               ｂｙ               Ａｋｉｒａ               Ｈａｎａｓａｋｉ               (ＶＩＺ               Ｍｅｄｉａ)
               Ｐｌｕｔｏ:               Ｕｒａｓａｗａ               Ｘ               Ｔｅｚｕｋａ,               ｂｙ               Ｎａｏｋｉ               Ｕｒａｓａｗａ               ａｎｄ               Ｔａｋａｓｈｉ               Ｎａｇａｓａｋｉ               (ＶＩＺ               Ｍｅｄｉａ)
               Ｎａｏｋｉ               Ｕｒａｓａｗａ'ｓ               20ｔｈ               Ｃｅｎｔｕｒｙ               Ｂｏｙｓ,               ｂｙ               Ｎａｏｋｉ               Ｕｒａｓａｗａ               (ＶＩＺ               Ｍｅｄｉａ)
               Ｂｅｓｔ               Ｗｒｉｔｅｒ
               Ｅｄ               Ｂｒｕｂａｋｅｒ,               Ｃａｐｔａｉｎ               Ａｍｅｒｉｃａ,               Ｄａｒｅｄｅｖｉｌ,               Ｍａｒｖｅｌｓ               Ｐｒｏｊｅｃｔ               (Ｍａｒｖｅｌ)               Ｃｒｉｍｉｎａｌ,               Ｉｎｃｏｇｎｉｔｏ               (Ｍａｒｖｅｌ               Ｉｃｏｎ)               
               Ｇｅｏｆｆ               Ｊｏｈｎｓ,               Ａｄｖｅｎｔｕｒｅ               Ｃｏｍｉｃｓ,               Ｂｌａｃｋｅｓｔ               Ｎｉｇｈｔ,               Ｔｈｅ               Ｆｌａｓｈ:               Ｒｅｂｉｒｔｈ,               Ｓｕｐｅｒｍａｎ:               Ｓｅｃｒｅｔ               Ｏｒｉｇｉｎ               (ＤＣ)               
               Ｊａｍｅｓ               Ｒｏｂｉｎｓｏｎ,               Ｊｕｓｔｉｃｅ               Ｌｅａｇｕｅ:               Ｃｒｙ               ｆｏｒ               Ｊｕｓｔｉｃｅ               (ＤＣ)               
               Ｍａｒｋ               Ｗａｉｄ,               Ｉｒｒｅｄｅｅｍａｂｌｅ,               Ｔｈｅ               Ｉｎｃｒｅｄｉｂｌｅｓ               (ＢＯＯＭ!)               
               Ｂｉｌｌ               Ｗｉｌｌｉｎｇｈａｍ,               Ｆａｂｌｅｓ               (Ｖｅｒｔｉｇｏ/ＤＣ)
               Ｂｅｓｔ               Ｗｒｉｔｅｒ/Ａｒｔｉｓｔ
               Ｄａｒｗｙｎ               Ｃｏｏｋｅ,               Ｒｉｃｈａｒｄ               Ｓｔａｒｋ'ｓ               Ｐａｒｋｅｒ:               Ｔｈｅ               Ｈｕｎｔｅｒ               (ＩＤＷ)               
               Ｒ.

Ｃｒｕｍｂ,               Ｔｈｅ               Ｂｏｏｋ               ｏｆ               Ｇｅｎｅｓｉｓ               Ｉｌｌｕｓｔｒａｔｅｄ               (Ｎｏｒｔｏｎ)               
               Ｄａｖｉｄ               Ｍａｚｚｕｃｃｈｅｌｌｉ,               Ａｓｔｅｒｉｏｓ               Ｐｏｌｙｐ               (Ｐａｎｔｈｅｏｎ)               
               Ｔｅｒｒｙ               Ｍｏｏｒｅ,               Ｅｃｈｏ               (Ａｂｓｔｒａｃｔ               Ｂｏｏｋｓ)               
               Ｎａｏｋｉ               Ｕｒａｓａｗａ,               Ｎａｏｋｉ               Ｕｒａｓａｗａ'ｓ               20ｔｈ               Ｃｅｎｔｕｒｙ               Ｂｏｙｓ,               Ｐｌｕｔｏ:               Ｕｒａｓａｗａ               Ｘ               Ｔｅｚｕｋａ               (ＶＩＺ               Ｍｅｄｉａ)
               Ｂｅｓｔ               Ｗｒｉｔｅｒ/Ａｒｔｉｓｔ-Ｎｏｎｆｉｃｔｉｏｎ
               Ｒｅｉｎｈａｒｄ               Ｋｌｅｉｓｔ,               Ｊｏｈｎｎｙ               Ｃａｓｈ:               Ｉ               Ｓｅｅ               ａ               Ｄａｒｋｎｅｓｓ               (Ａｂｒａｍｓ               ＣｏｍｉｃＡｒｔｓ)               
               Ｗｉｌｌｙ               Ｌｉｎｔｈｏｕｔ,               Ｙｅａｒｓ               ｏｆ               ｔｈｅ               Ｅｌｅｐｈａｎｔ               (Ｆａｎｆａｒｅ/Ｐｏｎｅｎｔ               Ｍｏｎ)               
               Ｊｏｅ               Ｓａｃｃｏ,               Ｆｏｏｔｎｏｔｅｓ               ｉｎ               Ｇａｚａ               (Ｍｅｔｒｏｐｏｌｉｔａｎ/Ｈｏｌｔ)               
               Ｄａｖｉｄ               Ｓｍａｌｌ,               Ｓｔｉｔｃｈｅｓ               (Ｎｏｒｔｏｎ)               
               Ｃａｒｏｌ               Ｔｙｌｅｒ,               Ｙｏｕ'ｌｌ               Ｎｅｖｅｒ               Ｋｎｏｗ:               Ａ               Ｇｏｏｄ               ａｎｄ               Ｄｅｃｅｎｔ               Ｍａｎ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｂｅｓｔ               Ｐｅｎｃｉｌｌｅｒ/Ｉｎｋｅｒ               ｏｒ               Ｐｅｎｃｉｌｌｅｒ/Ｉｎｋｅｒ               Ｔｅａｍ
               Ｍｉｃｈａｅｌ               Ｋａｌｕｔａ,               Ｍａｄａｍｅ               Ｘａｎａｄｕ               #11-15:               "Ｅｘｏｄｕｓ               Ｎｏｉｒ"               (Ｖｅｒｔｉｇｏ/ＤＣ)               
               Ｓｔｅｖｅ               ＭｃＮｉｖｅｎ/Ｄｅｘｔｅｒ               Ｖｉｎｅｓ,               Ｗｏｌｖｅｒｉｎｅ:               Ｏｌｄ               Ｍａｎ               Ｌｏｇａｎ               (Ｍａｒｖｅｌ)               
               Ｆｉｏｎａ               Ｓｔａｐｌｅｓ,               Ｎｏｒｔｈ               40               (ＷｉｌｄＳｔｏｒｍ)               
               Ｊ.

Ｈ.

Ｗｉｌｌｉａｍｓ               ＩＩＩ,               Ｄｅｔｅｃｔｉｖｅ               Ｃｏｍｉｃｓ               (ＤＣ)               
               Ｄａｎｉｊｅｌ               Ｚｅｚｅｌｊ,               Ｌｕｎａ               Ｐａｒｋ               (Ｖｅｒｔｉｇｏ/ＤＣ)
               Ｂｅｓｔ               Ｐａｉｎｔｅｒ/Ｍｕｌｔｉｍｅｄｉａ               Ａｒｔｉｓｔ               (ｉｎｔｅｒｉｏｒ               ａｒｔ)
               É               Ｂｒａｖｏ,               Ｍｙ               ｍｏｍｍｙ               ｉｓ               ｉｎ               Ａｍｅｒｉｃａ               ａｎｄ               ｓｈｅ               ｍｅｔ               Ｂｕｆｆａｌｏ               Ｂｉｌｌ               (Ｆａｎｆａｒｅ/Ｐｏｎｅｎｔ               Ｍｏｎ)               
               Ｍａｕｒｏ               Ｃａｓｃｉｏｌｉ,               Ｊｕｓｔｉｃｅ               Ｌｅａｇｕｅ:               Ｃｒｙ               ｆｏｒ               Ｊｕｓｔｉｃｅ               (ＤＣ)               
               Ｎｉｃｏｌｌｅ               Ｒａｇｅｒ               Ｆｕｌｌｅｒ,               Ｃｈａｒｌｅｓ               Ｄａｒｗｉｎ               ｏｎ               ｔｈｅ               Ｏｒｉｇｉｎ               ｏｆ               Ｓｐｅｃｉｅｓ:               Ａ               Ｇｒａｐｈｉｃ               Ａｄａｐｔａｔｉｏｎ               (Ｒｏｄａｌｅ               Ｂｏｏｋｓ)               
               Ｊｉｌｌ               Ｔｈｏｍｐｓｏｎ,               Ｂｅａｓｔｓ               ｏｆ               Ｂｕｒｄｅｎ               (Ｄａｒｋ               Ｈｏｒｓｅ);               Ｍａｇｉｃ               Ｔｒｉｘｉｅ               ａｎｄ               ｔｈｅ               Ｄｒａｇｏｎ               (ＨａｒｐｅｒＣｏｌｌｉｎｓ               Ｃｈｉｌｄｒｅｎ'ｓ               Ｂｏｏｋｓ)               
               Ｃａｒｏｌ               Ｔｙｌｅｒ,               Ｙｏｕ'ｌｌ               Ｎｅｖｅｒ               Ｋｎｏｗ:               Ａ               Ｇｏｏｄ               ａｎｄ               Ｄｅｃｅｎｔ               Ｍａｎ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｂｅｓｔ               Ｃｏｖｅｒ               Ａｒｔｉｓｔ
               Ｊｏｈｎ               Ｃａｓｓａｄａｙ,               Ｉｒｒｅｄｅｅｍａｂｌｅ               (ＢＯＯＭ!);               Ｌｏｎｅ               Ｒａｎｇｅｒ               (Ｄｙｎａｍｉｔｅ)               
               Ｓａｌｖａｄｏｒ               Ｌａｒｏｃｃａ,               Ｉｎｖｉｎｃｉｂｌｅ               Ｉｒｏｎ               Ｍａｎ               (Ｍａｒｖｅｌ)               
               Ｓｅａｎ               Ｐｈｉｌｌｉｐｓ,               Ｃｒｉｍｉｎａｌ,               Ｉｎｃｏｇｎｉｔｏ               (Ｍａｒｖｅｌ               Ｉｃｏｎ);               28               Ｄａｙｓ               Ｌａｔｅｒ               (ＢＯＯＭ!)               
               Ａｌｅｘ               Ｒｏｓｓ,               Ａｓｔｒｏ               Ｃｉｔｙ:               Ｔｈｅ               Ｄａｒｋ               Ａｇｅ               (ＷｉｌｄＳｔｏｒｍ/ＤＣ);               Ｐｒｏｊｅｃｔ               Ｓｕｐｅｒｐｏｗｅｒｓ               (Ｄｙｎａｍｉｔｅ)               
               Ｊ.

Ｈ.

Ｗｉｌｌｉａｍｓ               ＩＩＩ,               Ｄｅｔｅｃｔｉｖｅ               Ｃｏｍｉｃｓ               (ＤＣ)
               Ｂｅｓｔ               Ｃｏｌｏｒｉｎｇ
               Ｓｔｅｖｅ               Ｈａｍａｋｅｒ,               Ｂｏｎｅ:               Ｃｒｏｗｎ               ｏｆ               Ｔｈｏｒｎｓ               (Ｓｃｈｏｌａｓｔｉｃ);               Ｌｉｔｔｌｅ               Ｍｏｕｓｅ               Ｇｅｔｓ               Ｒｅａｄｙ               (Ｔｏｏｎ)               
               Ｌａｕｒａ               Ｍａｒｔｉｎ,               Ｔｈｅ               Ｒｏｃｋｅｔｅｅｒ:               Ｔｈｅ               Ｃｏｍｐｌｅｔｅ               Ａｄｖｅｎｔｕｒｅｓ               (ＩＤＷ);               Ｔｈｏｒ,               Ｔｈｅ               Ｓｔａｎｄ:               Ａｍｅｒｉｃａｎ               Ｎｉｇｈｔｍａｒｅｓ               (Ｍａｒｖｅｌ)Ｄａｖｉｄ               Ｍａｚｚｕｃｃｈｅｌｌｉ,               Ａｓｔｅｒｉｏｓ               Ｐｏｌｙｐ               (Ｐａｎｔｈｅｏｎ)               
               Ａｌｅｘ               Ｓｉｎｃｌａｉｒ,               Ｂｌａｃｋｅｓｔ               Ｎｉｇｈｔ,               Ｂａｔｍａｎ               ａｎｄ               Ｒｏｂｉｎ               (ＤＣ)               
               Ｄａｖｅ               Ｓｔｅｗａｒｔ,               Ａｂｅ               Ｓａｐｉｅｎ,               ＢＰＲＤ,               Ｔｈｅ               Ｇｏｏｎ,               Ｈｅｌｌｂｏｙ,               Ｓｏｌｏｍｏｎ               Ｋａｎｅ,               Ｕｍｂｒｅｌｌａ               Ａｃａｄｅｍｙ,               Ｚｅｒｏ               Ｋｉｌｌｅｒ               (Ｄａｒｋ               Ｈｏｒｓｅ);               Ｄｅｔｅｃｔｉｖｅ               Ｃｏｍｉｃｓ               (ＤＣ);               Ｌｕｎａ               Ｐａｒｋ               (Ｖｅｒｔｉｇｏ)
               Ｂｅｓｔ               Ｌｅｔｔｅｒｉｎｇ
               Ｂｒｉａｎ               Ｆｉｅｓ,               Ｗｈａｔｅｖｅｒ               Ｈａｐｐｅｎｅｄ               ｔｏ               ｔｈｅ               Ｗｏｒｌｄ               ｏｆ               Ｔｏｍｏｒｒｏｗ?

(Ａｂｒａｍｓ               ＣｏｍｉｃＡｒｔｓ)               
               Ｄａｖｉｄ               Ｍａｚｚｕｃｃｈｅｌｌｉ,               Ａｓｔｅｒｉｏｓ               Ｐｏｌｙｐ               (Ｐａｎｔｈｅｏｎ)               
               Ｔｏｍ               Ｏｒｚｅｃｈｏｗｓｋｉ,               Ｓａｖａｇｅ               Ｄｒａｇｏｎ               (Ｉｍａｇｅ);               Ｘ-Ｍｅｎ               Ｆｏｒｅｖｅｒ               (Ｍａｒｖｅｌ)               
               Ｒｉｃｈａｒｄ               Ｓａｌａ,               Ｃａｔ               Ｂｕｒｇｌａｒ               Ｂｌａｃｋ               (Ｆｉｒｓｔ               Ｓｅｃｏｎｄ);               Ｄｅｌｐｈｉｎｅ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)               
               Ａｄｒｉａｎ               Ｔｏｍｉｎｅ,               Ａ               Ｄｒｉｆｔｉｎｇ               Ｌｉｆｅ               (Ｄｒａｗｎ               &               Ｑｕａｒｔｅｒｌｙ)
               Ｂｅｓｔ               Ｃｏｍｉｃｓ-Ｒｅｌａｔｅｄ               Ｐｅｒｉｏｄｉｃａｌ/Ｊｏｕｒｎａｌｉｓｍ
               Ａｌｔｅｒ               Ｅｇｏ,               ｅｄｉｔｅｄ               ｂｙ               Ｒｏｙ               Ｔｈｏｍａｓ               (ＴｗｏＭｏｒｒｏｗｓ)
               ＣｏｍｉｃｓＡｌｌｉａｎｃｅ,               ｅｄｉｔｅｄ               ｂｙ               Ｌａｕｒａ               Ｈｕｄｓｏｎ               ｗｗｗ.ｃｏｍｉｃｓａｌｌｉａｎｃｅ.ｃｏｍ
               Ｃｏｍｉｃｓ               Ｃｏｍｉｃｓ,               ｅｄｉｔｅｄ               ｂｙ               Ｔｉｍｏｔｈｙ               Ｈｏｄｌｅｒ               ａｎｄ               Ｄａｎ               Ｎａｄｅｌ               
               (ｗｗｗ.ｃｏｍｉｃｓｃｏｍｉｃｓｍａｇ.ｃｏｍ)               (ＰｉｃｔｕｒｅＢｏｘ)
               Ｔｈｅ               Ｃｏｍｉｃｓ               Ｊｏｕｒｎａｌ,               ｅｄｉｔｅｄ               ｂｙ               Ｇａｒｙ               Ｇｒｏｔｈ,               Ｍｉｃｈａｅｌ               Ｄｅａｎ,               ａｎｄ               Ｋｒｉｓｔｙ               Ｖａｌｅｎｔｉ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｔｈｅ               Ｃｏｍｉｃｓ               Ｒｅｐｏｒｔｅｒ,               ｐｒｏｄｕｃｅｄ               ｂｙ               Ｔｏｍ               Ｓｐｕｒｇｅｏｎ               
               (ｗｗｗ.ｃｏｍｉｃｓｒｅｐｏｒｔｅｒ.ｃｏｍ)
               Ｂｅｓｔ               Ｃｏｍｉｃｓ-Ｒｅｌａｔｅｄ               Ｂｏｏｋ
               Ａｌａｎ               Ｍｏｏｒｅ:               Ｃｏｍｉｃｓ               ａｓ               Ｐｅｒｆｏｒｍａｎｃｅ,               Ｆｉｃｔｉｏｎ               ａｓ               Ｓｃａｌｐｅｌ,               ｂｙ               Ａｎｎａｌｉｓａ               Ｄｉ               Ｌｉｄｄｏ               (Ｕｎｉｖｅｒｓｉｔｙ               Ｐｒｅｓｓ               ｏｆ               Ｍｉｓｓｉｓｓｉｐｐｉ)
               Ｔｈｅ               Ａｒｔ               ｏｆ               Ｈａｒｖｅｙ               Ｋｕｒｔｚｍａｎ:               Ｔｈｅ               Ｍａｄ               Ｇｅｎｉｕｓ               ｏｆ               Ｃｏｍｉｃｓ,               ｂｙ               Ｄｅｎｉｓ               Ｋｉｔｃｈｅｎ               ａｎｄ               Ｐａｕｌ               Ｂｕｈｌｅ               (Ａｂｒａｍｓ               ＣｏｍｉｃＡｒｔｓ)
               Ｔｈｅ               Ａｒｔ               ｏｆ               Ｏｓａｍｕ               Ｔｅｚｕｋａ:               Ｇｏｄ               ｏｆ               Ｍａｎｇａ,               ｂｙ               Ｈｅｌｅｎ               ＭｃＣａｒｔｈｙ               (Ａｂｒａｍｓ               ＣｏｍｉｃＡｒｔｓ)
               Ｍａｎｇａ               Ｋａｍｉｓｈｉｂａｉ:               Ｔｈｅ               Ａｒｔ               ｏｆ               Ｊａｐａｎｅｓｅ               Ｐａｐｅｒ               Ｔｈｅａｔｅｒ,               ｂｙ               Ｅｒｉｃ               Ｐ.

Ｎａｓｈ               (Ａｂｒａｍｓ               ＣｏｍｉｃＡｒｔｓ)
               Ｗｉｌｌ               Ｅｉｓｎｅｒ               ａｎｄ               ＰＳ               Ｍａｇａｚｉｎｅ,               ｂｙ               Ｐａｕｌ               Ｅ.

Ｆｉｔｚｇｅｒａｌｄ               (Ｆｉｔｚｗｏｒｌｄ.ＵＳ)
               Ｂｅｓｔ               Ｐｕｂｌｉｃａｔｉｏｎ               Ｄｅｓｉｇｎ
               Ａｂｓｏｌｕｔｅ               Ｊｕｓｔｉｃｅ,               ｄｅｓｉｇｎｅｄ               ｂｙ               Ｃｕｒｔｉｓ               Ｋｉｎｇ               ａｎｄ               Ｊｏｓｈ               Ｂｅａｔｍａｎ               (ＤＣ)
               Ｔｈｅ               Ｂｒｉｎｋｌｅｙ               Ｇｉｒｌｓ,               ｄｅｓｉｇｎｅｄ               ｂｙ               Ａｄａｍ               Ｇｒａｎｏ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｇａｈａｎ               Ｗｉｌｓｏｎ:               50               Ｙｅａｒｓ               ｏｆ               Ｐｌａｙｂｏｙ               Ｃａｒｔｏｏｎｓ,               ｄｅｓｉｇｎｅｄ               ｂｙ               Ｊａｃｏｂ               Ｃｏｖｅｙ               (Ｆａｎｔａｇｒａｐｈｉｃｓ)
               Ｌｉｆｅ               ａｎｄ               Ｔｉｍｅｓ               ｏｆ               Ｍａｒｔｈａ               Ｗａｓｈｉｎｇｔｏｎ,               ｄｅｓｉｇｎｅｄ               ｂｙ               Ｄａｖｉｄ               Ｎｅｓｔｅｌｌｅ               (Ｄａｒｋ               Ｈｏｒｓｅ               Ｂｏｏｋｓ)
               Ｑｕｅｅｒ               Ｖｉｓｉｔｏｒｓ               ｆｒｏｍ               ｔｈｅ               Ｍａｒｖｅｌｏｕｓ               Ｌａｎｄ               ｏｆ               Ｏｚ,               ｄｅｓｉｇｎｅｄ               ｂｙ               Ｐｈｉｌｉｐｐｅ               Ｇｈｉｅｌｍｅｔｔｉ               (Ｓｕｎｄａｙ               Ｐｒｅｓｓ)
               Ｗｈａｔｅｖｅｒ               Ｈａｐｐｅｎｅｄ               ｔｏ               ｔｈｅ               Ｗｏｒｌｄ               ｏｆ               Ｔｏｍｏｒｒｏｗ?

ｄｅｓｉｇｎｅｄ               ｂｙ               Ｎｅｉｌ               Ｅｇａｎ               ａｎｄ               Ｂｒｉａｎ               Ｆｉｅｓ               (Ａｂｒａｍｓ               ＣｏｍｉｃＡｒｔｓ)
               ＳＯＵＲＣＥＳ:
               Ｓａｎ               Ｄｉｅｇｏ               Ｃｏｍｉｃ-Ｃｏｎ               Ｉｎｔｅｒｎａｔｉｏｎａｌ,               Ｃｏｍｉｃ-Ｃｏｎ

ＬｏｏｎＣｒｅａｔｉｖｅ,               "Ｓａｎ               Ｄｉｅｇｏ               Ｃｏｍｉｃ               Ｃｏｎ:               Ａｎ               Ｉｎｓｉｄｅｒ'ｓ               Ｇｕｉｄｅ",               Ａｓｓｏｃｉａｔｅｄ               Ｃｏｎｔｅｎｔ

Ｔｈｅ               2010               Ｅｉｓｎｅｒ               Ａｗａｒｄｓ,               "Ｓｃｏｔｔ               Ｐｉｌｇｒｉｍ               Ｃａｓｔ               ｔｏ               Ｐｒｅｓｅｎｔ               Ｅｉｓｎｅｒ               Ａｗａｒｄｓ,"               Ｃｏｍｉｃ-Ｃｏｎ               2010
               Ｔｈｅ               2010               Ｅｉｓｎｅｒ               Ａｗａｒｄｓ,               "Ｅｉｓｎｅｒ               Ｎｏｍｉｎａｔｉｏｎｓ",               Ｃｏｍｉｃ-Ｃｏｎ               2010






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    1. ghettomanga.blogspot.com/   07/22/2013
      ...the emergence of Angstrom Levy as a total badass. Invincible's relationship with Atom Eve is a great development as well. Knowing Kirkman the way I do, I just hope Eve doesn't go the...
    2. edfortune.wordpress.com/   12/01/2011
      ... neglect is Kirkman’s just as lengthy and detailed work Invincible . This is isn’t that... a lot to love about Invincible ; the romantic sub-plots...
    3. comickaze.blogspot.com/   08/17/2008
      ... ago, Robert (Walking Dead, Invincible) Kirkman released a video explaining...her comment, "Here’s hoping that Kirkman saying what I and others...
    4. myriadissues.blogspot.com/   06/09/2008
      ...always a toss up between which Robert Kirkman book is the best: Invincible or Walking Dead. It's very...board and the pieces on it? Kirkman: Yeah. That's a big part of ...
    5. comicsand.blogspot.com/   11/04/2010
      ...my attention begins to wander a bit on Kirkman’s books, he does something to get it back. And lo and behold, in Invincible #75, Invincible, Omni Man, and another Viltriumite...
    6. bookcalendar.blogspot.com/   05/07/2008
      ... looking at Invincible The Ultimate Collection created by Robert Kirkman. Mark Grayson is a teenager...Alien when he fights Invincible the first time is there...
    7. booksake.blogspot.com/   11/19/2011
      Invincible: The Ultimate Collection, Vol 1 by Robert Kirkman, Cory Walker, Ryan Ottley Publisher: Image ...s wanted to start reading Invincible, but needed an easier...
    8. comicscure.blogspot.com/   08/22/2009
      ... an impressive success story for writer/creator Robert Kirkman. Along with Kirkman's The Walking Dead --also an Image title-- Invincible managed to catch on with mainstream readers despite newcomer talent, original...
    9. specfric.blogspot.com/   05/27/2007
      ...Giroux/Drawn and Quarterly distributors. Marvel Zombies Robert Kirkman, Sean Phillips and Arthur Suydam Marvel www.Marvel.com Marvel Masterworks...
    10. ladyrhian.blogspot.com/   02/27/2010
      ...only is he helping clean up his town, taking on a Superhero name "Invincible" and getting a costume from the same place his Dad got his, he ...



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    2013년 11월 24일 일요일

    오후 11:05

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    About 'comic book online free'|Free Online Comic Book Creators – Why And Which Ones by Adam Rivett







    About 'comic book online free'|Free Online Comic Book Creators – Why And Which Ones by Adam Rivett








    Ｏｋａｙ,               ｍａｙｂｅ               Ｉ'ｍ               ｃｒｙｉｎｇ               ｓｏｕｒ               ｇｒａｐｅｓ               ｈｅｒｅ,               ｂｕｔ               ｉｔ'ｓ               ａｌｗａｙｓ               ｓｔｒｕｃｋ               ｍｅ               ａｓ               ｈｕｇｅｌｙ               ｕｎｆａｉｒ               ｔｈａｔ               ａｓｐｉｒｉｎｇ               ｃｏｍｉｃ               ｂｏｏｋ               ａｒｔｉｓｔｓ               ｅｘｐｅｃｔ               ｔｏ               ｂｅ               ｐａｉｄ               ｕｐｆｒｏｎｔ               ｆｏｒ               ｔｈｅｉｒ               ａｒｔｗｏｒｋ               ｗｈｅｒｅａｓ               ｔｈｅ               ｗｒｉｔｅｒ               ｄｏｅｓｎ'ｔ               ｇｅｔ               ａｎｙ               ｃｏｍｐｅｎｓａｔｉｏｎ               ｕｎｌｅｓｓ               ｉｔ'ｓ               ｏｎ               ｔｈｅ               ｂａｃｋ-ｅｎｄ.

    Ｋｅｅｐ               ｉｎ               ｍｉｎｄ,               ｗｅ'ｒｅ               ｎｏｔ               ｔａｌｋｉｎｇ               ａｂｏｕｔ               ｉｎｄｕｓｔｒｙ               ｐｒｏｆｅｓｓｉｏｎａｌｓ               ａｔ               ｔｈｉｓ               ｌｅｖｅｌ,               ｗｅ'ｒｅ               ｔａｋｉｎｇ               ａｂｏｕｔ               ｔｈｅ               ｗａｎｎａｂｅｓ;               ｊｕｓｔ               ｌｉｋｅ               ｍｅ.

    Ｗｈｙ               ｓｈｏｕｌｄｎ'ｔ               ｔｈｅｙ               ｄｏｎａｔｅ               ｔｈｅｉｒ               ｔｉｍｅ               ａｎｄ               ｔａｌｅｎｔ               ａｎｄ               ｔａｋｅ               ｔｈｅｉｒ               ｃｈａｎｃｅｓ               ｆｏｒ               ｓｕｃｃｅｓｓ               ｊｕｓｔ               ｌｉｋｅ               ｔｈｅ               ｒｅｓｔ               ｏｆ               ｕｓ               ｓｔａｒｔｉｎｇ               ｏｕｔ               ｉｎ               ｔｈｅ               ｂｕｓｉｎｅｓｓ.

    Ｉｎ               ｔｈｅ               ｅｘａｍｐｌｅ               ｏｆ               ｍｙ               ｗｅｂｃｏｍｉｃ,               Ｑｕｅｅｒｏｅｓ,               Ｉ'ｍ               ｐａｙｉｎｇ               ｔｈｅ               ｈｏｓｔｉｎｇ               ａｎｄ               ａｄｖｅｒｔｉｓｉｎｇ               ｃｏｓｔｓ               ｅｖｅｒｙ               ｍｏｎｔｈ               ｓｏ               Ｉ               ｃａｎ'ｔ               ａｆｆｏｒｄ               ａｎ               ａｒｔｉｓｔ.

    Ａｎｄ,               ｅｖｅｎ               ｉｆ               Ｉ               ｃｏｕｌｄ,               Ｉ'ｍ               ｄｏｉｎｇ               ｔｈｅ               ｗｅｂｃｏｍｉｃ               ｓｔｒｉｃｔｌｙ               ｆｏｒ               ｔｈｅ               ｍａｓｓｉｖｅ               ｅｘｐｏｓｕｒｅ               ｔｈｅ               Ｉｎｔｅｒｎｅｔ               ｐｒｏｖｉｄｅｓ.

    Ｉ'ｍ               ｎｏｔ               ｍａｋｉｎｇ               ｍｏｎｅｙ               ｆｒｏｍ               ｔｈｅ               ｓｉｔｅ.

    Ｉｎ               ｆａｃｔ,               Ｉ'ｍ               ｌｏｓｉｎｇ               ｍｏｎｅｙ               ｏｎ               ｉｔ.

    Ｈｏｗｅｖｅｒ,               Ｉ               ｃｏｎｓｉｄｅｒ               ｉｔ               ａｎ               ｉｎｖｅｓｔｍｅｎｔ.

    Ｏｎｃｅ               ｔｈｅ               ｗｅｂｃｏｍｉｃ               ｂｕｉｌｄｓ               ｕｐ               ａ               ｆｏｌｌｏｗｉｎｇ               ａｎｄ               ｐｅｏｐｌｅ               (ｈｏｐｅｆｕｌｌｙ)               ｅｎｊｏｙ               ｍｙ               ｗｒｉｔｉｎｇ,               ｉｔ               ｗｉｌｌ               ｌｅａｄ               ｔｏ               ｂｅｔｔｅｒ               ｏｐｐｏｒｔｕｎｉｔｉｅｓ...ａｎｄ               ｐｏｓｓｉｂｌｙ               ｉｎｃｒｅａｓｅｄ               ａｄ               ｒｅｖｅｎｕｅ               ａｎｄ               ｍｅｒｃｈａｎｄｉｓｉｎｇ               ｓａｌｅｓ.

    Ｏｆ               ｃｏｕｒｓｅ,               ｉｆ               Ｉ               ｅｖｅｒ               ｓｔａｒｔ               ｍａｋｉｎｇ               ａ               ｐｒｏｆｉｔ               ｏｆｆ               ｔｈｅ               ｗｅｂｃｏｍｉｃ               Ｉ'ｌｌ               ｂｅ               ｈａｐｐｙ               ｔｏ               ｓｈａｒｅ               ｉｔ               ｗｉｔｈ               ｔｈｅ               ａｒｔｉｓｔｓ               ｔｈａｔ               ｈｅｌｐ               ｍａｋｅ               ｉｔ               ｐｏｓｓｉｂｌｅ...ｂｕｔ               ｉｔ'ｓ               ｔｏｏ               ｅａｒｌｙ               ａｔ               ｔｈｉｓ               ｓｔａｇｅ               ｔｏ               ｐｒｅｄｉｃｔ               ｗｈｅｎ               ｔｈａｔ               ｗｉｌｌ               ｈａｐｐｅｎ.
                   Ｂｕｔ,               ｗｈｙ               ｄｏ               ｃｏｍｉｃ               ｂｏｏｋ               ａｒｔｉｓｔｓ               ａｌｗａｙｓ               ｅｘｐｅｃｔ               ｔｏ               ｇｅｔ               ｐａｉｄ               ｕｐｆｒｏｎｔ?

    Ｉｔ'ｓ               ｎｏｔ               ｕｎｈｅａｒｄ               ｏｆ               ｆｏｒ               ｃｒｅａｔｏｒｓ               ｏｆ               ａｌｌ               ｓｏｒｔｓ               ｔｏ               ｔａｋｅ               ｏｎ               "ｇｉｇｓ"               ｓｔｒｉｃｔｌｙ               ｆｏｒ               ｇｏｏｄ               ｅｘｐｏｓｕｒｅ.

    Ｄｏｎ'ｔ               Ｂｌｏｇｇｅｒｓ               ｄｏ               ｉｔ               ａｌｌ               ｔｈｅ               ｔｉｍｅ?

    Ｄｏｎ'ｔ               ｔｈｅｙ               ｐｏｌｉｓｈ               ｔｈｅｉｒ               ｔａｌｅｎｔ               ｗｒｉｔｉｎｇ               ｅｖｅｒｙ               ｄａｙ               ｓｏ               ｔｈｅｙ'ｌｌ               ｂｕｉｌｄ               ｕｐ               ａ               ｆｏｌｌｏｗｉｎｇ               ａｎｄ               ｇｅｔ               ｓｏｍｅ               ａｄ               ｃｌｉｃｋｓ?

    Ｄｏｎ'ｔ               ａｃｔｏｒｓ               ｓｐｅｎｄ               ｈｏｕｒｓ               ｄｏｉｎｇ               ａｕｄｉｔｉｏｎｓ               ｆｏｒ               ｔｈｅ               ｈｏｐｅ               ｏｆ               ｌａｎｄｉｎｇ               ａ               ｒｏｌｅ?

    Ａｎｄ,               ｔｈｅｒｅ               ａｒｅ               ａ               ｌｏｔ               ｏｆ               ｍｕｓｉｃｉａｎｓ               ｔｈａｔ               ｄｏｎａｔｅ               ｔｈｅ               ｒｉｇｈｔｓ               ｔｏ               ｔｈｅｉｒ               ｓｏｎｇｓ               ｆｏｒ               ｍｏｖｉｅｓ               ａｎｄ               ｓｕｃｈ               ｊｕｓｔ               ｔｏ               ｇｅｔ               ｔｈｅｉｒ               ｗｏｒｋ               ｏｕｔ               ｔｈｅｒｅ.

    Ｉｔ'ｓ               ｎｏｔ               ｕｎｈｅａｒｄ               ｏｆ               ｔｏ               ｈａｖｅ               ｔｏ               ｄｏ               "ｐｒｏ-ｂｏｎｏ"               ｗｏｒｋ               ｔｏ               ｇｅｔ               ｙｏｕｒ               ｎａｍｅ               ｏｕｔ               ｔｈｅｒｅ               ｓｏ               ｙｏｕ               ＣＡＮ               ｍｏｖｅ               ｏｎ               ｔｏ               ｔｈｅ               ｈｉｇｈｅｒ-ｐａｙｉｎｇ               ｊｏｂｓ.

    Ｅｖｅｒｙｂｏｄｙ               ｈａｓ               ｔｏ               ｓｔａｒｔ               ｓｏｍｅｗｈｅｒｅ.
                   Ｉ               ｒｅｃｅｎｔｌｙ               ｈａｄ               ａｎ               ａｒｔｉｓｔ,               ｗｈｏ               ａｎｓｗｅｒｅｄ               ｏｎｅ               ｏｆ               ｍｙ               ａｄｓ               ｌｏｏｋｉｎｇ               ｔｏ               ｂｅ               ｐａｉｄ               -               ｄｅｓｐｉｔｅ               ｔｈｅ               ｆａｃｔ               ｔｈａｔ               Ｉ               ｖｅｒｙ               ｃｌｅａｒｌｙ               ｓｔａｔｅｄ               ｉｔ'ｓ               ａ               ｎｏｎ-ｐａｙｉｎｇ               ｊｏｂ               -               ｓａｙ               ｔｏ               ｍｅ,               "Ｉ'ｍ               ｔｒｙｉｎｇ               ｔｏ               ｍａｋｅ               ｍｏｎｅｙ               ｄｒａｗｉｎｇ               ａｎｄ               Ｉ               ｈａｖｅｎ'ｔ               ｔｉｍｅ               ｔｏ               ｄｒａｗ               ｆｏｒ               ｆｒｅｅ."
                   Ｗｅｌｌ,               ｍｙ               ｆｒｉｅｎｄ,               Ｉ'ｍ               ｔｒｙｉｎｇ               ｔｏ               ｍａｋｅ               ｍｏｎｅｙ               ｗｒｉｔｉｎｇ               ａｎｄ               Ｉ               ＨＡＶＥ               ｔｏ               ｗｒｉｔｅ               ｆｏｒ               ｆｒｅｅ               ｉｎ               ｏｒｄｅｒ               ｔｏ               ｈｏｎｅ               ｍｙ               ｃｒａｆｔ               ａｎｄ               ｂｕｉｌｄ               ｓｏｍｅ               ｎａｍｅ               ｒｅｃｏｇｎｉｔｉｏｎ.

    Ｔｈａｔ'ｓ               ｊｕｓｔ               ｔｈｅ               ｗａｙ               ｉｔ               ｉｓ.

    Ｙｏｕ               ｈａｖｅ               ｔｏ               ｐｕｔ               ｉｎ               ｓｏｍｅ               ｋｉｎｄ               ｏｆ               ｉｎｖｅｓｔｍｅｎｔ               ｉｎ               ｔｏ               ｇｅｔ               ｔｈｅ               ｒｅｗａｒｄｓ               ｙｏｕ               ｗａｎｔ               ｏｕｔ               ｏｆ               ｙｏｕｒ               ｖｅｎｔｕｒｅｓ.
                   Ｕｎｌｅｓｓ               ｙｏｕ'ｒｅ               ｓｏ               ｔａｌｅｎｔｅｄ               ａｎｄ               ｐｏｐｕｌａｒ               ｔｈａｔ               ｙｏｕ               ｃａｎ               ｉｍｍｅｄｉａｔｅｌｙ               ｌａｎｄ               ｅｎｏｕｇｈ               ｐａｙｉｎｇ               ｊｏｂｓ               ｔｏ               ｐｕｔ               ｆｏｏｄ               ｏｎ               ｔｈｅ               ｔａｂｌｅ;               ｓｏｍｅｔｉｍｅｓ               ｙｏｕ'ｒｅ               ｇｏｉｎｇ               ｔｏ               ｈａｖｅ               ｔｏ               ｔａｋｅ               ｏｎｅ               ｆｏｒ               ｔｈｅ               ｔｅａｍ.

    Ｏｆ               ｃｏｕｒｓｅ,               ｃｒｅａｔｏｒｓ               ｏｆ               ｔｈａｔ               ｃａｌｉｂｅｒ               ｕｓｕａｌｌｙ               ｄｏｎ'ｔ               ｈａｖｅ               ｔｏ               ａｎｓｗｅｒ               ｍａｎｙ               ｏｎｌｉｎｅ               ａｄｓ               ｂｅｃａｕｓｅ               ｔｈｅｙ               ｈａｖｅ               ｔｈｅｉｒ               ｗｏｒｋ               ｌｉｎｅｄ               ｕｐ               ｉｎ               ａｄｖａｎｃｅ.
                   Ａｎｄ,               ｋｅｅｐ               ｉｎ               ｍｉｎｄ,               ｊｕｓｔ               ｂｅｃａｕｓｅ               ａ               ｗｒｉｔｅｒ               ｍａｙ               ｎｏｔ               ｏｆｆｅｒ               ｕｐｆｒｏｎｔ               ｐａｙｍｅｎｔ,               ｄｏｅｓｎ'ｔ               ｍｅａｎ               ｔｈｅｒｅ'ｓ               ｎｏｔｈｉｎｇ               ｔｏ               ｇａｉｎ.

    Ｉｎ               ｍｙ               ｃａｓｅ,               ｍｙ               ｓｉｔｅ               ｉｓ               ｎｏｗ               ａｖｅｒａｇｉｎｇ               ｏｖｅｒ               500               ｈｉｔｓ               ａ               ｄａｙ.

    Ｔｈａｔ'ｓ               ａ               ｌｏｔ               ｏｆ               ｅｘｐｏｓｕｒｅ.

    Ｎｏｔ               ｔｏ               ｍｅｎｔｉｏｎ               ｔｈａｔ               ｆａｃｔ               ｔｈａｔ               ｉｎ               ｍｙ               ｆｌｅｄｇｌｉｎｇ               ｗｒｉｔｉｎｇ               ｃａｒｅｅｒ               -               ａｎｄ               ｍｙ               ａｓｓｏｃｉａｔｉｏｎ               ｗｉｔｈ               Ｐｒｉｓｍ               Ｃｏｍｉｃｓ               -               Ｉ'ｖｅ               ｍａｄｅ               ａ               ｆｅｗ               ａｃｑｕａｉｎｔａｎｃｅｓ               ｉｎ               ｔｈｅ               ｉｎｄｕｓｔｒｙ.

    Ａｎｄ,               ｔｈｅｙ               ｄｏ               ｋｅｅｐ               ｔａｂｓ               ｏｎ               ｍｙ               ｐｒｏｊｅｃｔｓ.
                   Ｏｆ               ｃｏｕｒｓｅ,               ａｒｔｉｓｔｓ               ｔｈａｔ               ｗａｎｔ               ｔｏ               ｐｒｏｖｅ               ｔｈｅｍｓｅｌｖｅｓ               ｈａｖｅ               ｔｈｅ               ｏｐｔｉｏｎｓ               ｏｆ               ｌａｕｎｃｈｉｎｇ               ｔｈｅｉｒ               ｏｗｎ               ｗｅｂｃｏｍｉｃ               ａｎｄ               ｔｒｙｉｎｇ               ｔｏ               ｍａｋｅ               ａ               ｂｕｃｋ               ｏｒ               ｔｗｏ               ｏｆｆ               ｏｆ               ｉｔ.

    Ｂｕｔ,               ｉｔ               ｔａｋｅｓ               ｔｉｍｅ               ｔｏ               ｂｕｉｌｄ               ｕｐ               ａ               ｆｏｌｌｏｗｉｎｇ.

    Ｗｈｙ               ｎｏｔ               ｄｏ               ａ               ｓｈｏｒｔ               ｓｔｏｒｙ               ｏｒ               ｔｗｏ               ｆｏｒ               ａｎ               ｅｓｔａｂｌｉｓｈｅｄ               ｗｅｂｃｏｍｉｃ               ａｎｄ               ｅａｒｎ               ｙｏｕｒｓｅｌｆ               ｓｏｍｅ               ｒｅｐｕｔａｔｉｏｎ               ｐｏｉｎｔｓ.

    Ｗｏｕｌｄｎ'ｔ               ｉｔ               ｂｅ               ｓｍａｒｔ               ｔｏ               ｇｅｔ               ｙｏｕｒ               ａｒｔｗｏｒｋ               ｉｎ               ｆｒｏｎｔ               ａｓ               ｗｉｄｅ               ａｎ               ａｕｄｉｅｎｃｅ               ａｓ               ｐｏｓｓｉｂｌｅ?
                   Ｔｈｅｒｅ'ｓ               ａｌｓｏ               ｔｈｅ               ｔｒｉｔｅ               ａｒｇｕｍｅｎｔ               ｔｈａｔ               ｉｔ'ｓ               ｔｈｅ               ａｒｔｉｓｔ'ｓ               ａｒｔ               ｔｈａｔ               ｓｅｌｌｓ               ａ               ｃｏｍｉｃ               ｂｏｏｋ               ｂｅｃａｕｓｅ               ｉｔ'ｓ               ａ               ｈｉｇｈｌｙ               ｖｉｓｕａｌ               ｍｅｄｉｕｍ.

    Ｗｅｌｌ,               ｔｈａｔ'ｓ               ｏｎｌｙ               ｈａｌｆ               ｔｒｕｅ.

    Ｔｈｅ               ｏｔｈｅｒ               ｈａｌｆ               ｉｓ               ｔｈｅ               ｗｒｉｔｅｒ.

    Ｙｏｕ               ｃａｎ               ｈａｖｅ               ａ               ｇｏｒｇｅｏｕｓｌｙ               ｉｌｌｕｓｔｒａｔｅｄ               ｃｏｍｉｃ               ｂｏｏｋ,               ｂｕｔ               ｉｆ               ｔｈｅ               ｓｔｏｒｙ               ｉｓ               ｂｏｒｉｎｇ               ｏｒ               ｃｌｉｃｈé,               ｐｅｏｐｌｅ               ｗｉｌｌ               ｌｏｓｅ               ｉｎｔｅｒｅｓｔ               ｑｕｉｃｋｌｙ.

    Ａｓｋ               ａｎｙ               ｐｒｏｆｅｓｓｉｏｎａｌ               ｃｏｍｉｃ               ｂｏｏｋ               ｅｄｉｔｏｒ/ｐｕｂｌｉｓｈｅｒ               ａｎｄ               ｔｈｅｙ'ｌｌ               ｔｅｌｌ               ｙｏｕ               ｔｈａｔ.

    Ｇｒｅａｔ               ａｒｔ               ｍｙ               ｇｅｔ               ｏｎｅ               ｉｓｓｕｅ               ｏｆｆ               ｔｈｅ               ｓｈｅｌｖｅｓ,               ｂｕｔ               ｉｔ'ｓ               ｓｔｒｏｎｇ               ｗｒｉｔｉｎｇ               ｔｈａｔ               ｂｒｉｎｇｓ               ｂａｃｋ               ｌｏｙａｌ               ｒｅａｄｅｒｓ.

    Ｙｅｓ,               ｗｒｉｔｅｒｓ               ｄｏ               ｎｅｅｄ               ａｒｔｉｓｔｓ               ｔｏ               ｐｒｏｄｕｃｅ               ｗｅｂｃｏｍｉｃｓ               ｏｒ               ｃｏｍｉｃ               ｂｏｏｋｓ,               ｂｕｔ               Ｉ               ｓｅｒｉｏｕｓｌｙ               ｔｈｉｎｋ               ａ               ｌｏｔ               ｏｆ               ａｒｔｉｓｔｓ               ａｒｅ               ｕｎｄｅｒｅｓｔｉｍａｔｉｎｇ               ｈｏｗ               ｍｕｃｈ               ｔｈｅｙ               ｎｅｅｄ               ｔａｌｅｎｔｅｄ               ｗｒｉｔｅｒｓ               ａｓ               ｗｅｌｌ.
                   Ａｔ               ｔｈｅ               ｓｅｌｆ-ｐｕｂｌｉｓｈｉｎｇ               ｌｅｖｅｌ,               ｍｏｓｔ               ｗｒｉｔｅｒｓ               ａｒｅ               ｓｐｅｎｄｉｎｇ               ａ               ｌｏｔ               ｍｏｒｅ               ｔｈａｎ               ｗｅ'ｒｅ               ｍａｋｉｎｇ.

    Ｉｆ               ｗｅ'ｒｅ               ｎｏｔ               ｇｅｔｔｉｎｇ               ａｎ               ｕｐｆｒｏｎｔ               ｐａｇｅ               ｒａｔｅ,               ｗｈｙ               ｓｈｏｕｌｄ               ｔｈｅ               ａｒｔｉｓｔ?

    Ｏｕｒ               ｔｉｍｅ,               ｔａｌｅｎｔ               -               ａｎｄ               ｍｏｓｔ               ｉｍｐｏｒｔａｎｔｌｙ               ｏｕｒ               ｉｄｅａｓ               -               ａｒｅ               ｅｑｕａｌｌｙ               ａｓ               ｖａｌｕａｂｌｅ               ｔｏ               ｔｈｅ               ｓｕｃｃｅｓｓ               ｏｆ               ｔｈｅ               ｃｏｍｉｃ               ｂｏｏｋ               -               ｏｒ               ｗｅｂｃｏｍｉｃ               -               ａｓ               ｔｈｅ               ａｒｔｉｓｔ'ｓ.

    Ｓｏ,               ｉｆ               ｓｕｃｃｅｓｓ               ｉｓ               ａ               50/50               ｐｒｏｐｏｓｉｔｉｏｎ,               ｔｈｅｎ               ｗｈｙ               ｉｓ               ｉｔ               ｗｒｉｔｅｒｓ               ａｒｅ               ｅｘｐｅｃｔｅｄ               ｔｏ               ｂｅａｒ               ａｌｌ               ｔｈｅ               ｃｏｓｔｓ               ａｎｄ               ｒｉｓｋｓ?

    Ｙｅｔ,               ｔｈｅ               ａｒｔｉｓｔｓ               ｃａｎ               ｗａｌｋ               ａｗａｙ               ｔｏ               ｔｈｅ               ｂａｎｋ               ｌａｕｇｈｉｎｇ               ｂｅｃａｕｓｅ               ｔｈｅｙ'ｒｅ               ｓｔｉｌｌ               ｇｅｔｔｉｎｇ               ｐａｉｄ               ｗｈｅｔｈｅｒ               ｔｈｅ               ｐｒｏｊｅｃｔ               ｄｏｅｓ               ｗｅｌｌ               ｏｒ               ｎｏｔ.






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      11. Comic Book Online Free - Blog Homepage Results

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      Pointing you to comic strips, comic books, webcomics, and related videos in a blatant attempt to promote our own comics. (Oh, don't act so surprised.)
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